Richard Kostelanetz
Complete Bibliography, 1960-2001
1960-61
ESSAYS:
"The Absurdity of Our Contemporary Culture: Paul Goodman's Recent Books," Prairie Schooner, XXXV/2 (Summer 1961), pp. 149-56.
"Colin Wilson Reconsidered," Brown Daily Herald (November 10, 1961), pp. 2-3.
"Henry Miller: An Evaluation," The Supplement, Brown Daily Herald (November 26, 1961), pp. 7-8.
"Saul Bellow: The Foremost Novelist of Our Time," Brown Daily Herald (November 29, 1961), pp. 2, 4.
REVIEWS:
Brown Daily Herald: Norman O. Brown's Life Against Death (October 31, 1960).
Brown Review: Harold Rosenberg's The Tradition of the New and Paul Goodman's The Empire City (Autumn 1960).
Brunonia: The Voices of Dissent (Spring 1960).
The Supplement, Brown Daily Herald: Mary McCarthy's On the Contrary (September 26, 1961).
1962
ESSAYS:
"Metaphors for Poetry: Stanley Edgar Hyman's The Tangled Bank," Columbia Spectator Supplement, III, 6 (May 11, 1962), pp. 1, 2, 4.
"The Connection: Heroin as Existential Choice," The Texas Quarterly V, 4 (Winter, 1962), pp. 159 62.
REVIEWS:
Arizona Quarterly: James F. Light's Nathanael West: An Interpretative Study (Summer 1962). Benjamin Nelson's Tennessee Williams: The Man and His Work (Winter1962).
Kenyon Review: Paul Goodman's Utopian Essays and Practical Proposals (Summer, 1962).
Saturday Review: Constance A. Newland's My Self and I (June 9, 1962).
Southwest Review: Martin Esslin's The Theatre of the Absurd (Autumn 1962).
1963
ESSAYS:
"The Art of Total No," Contact, IV/ 2 (September, 1963), pp. 63 70. [Reprinted, revised, as "New American Theatre: 1962 63, Stand (England), VI/4 (Sprlng 1964), pp. 53 62.]
"The Critlc's Fiction," Mldstream, IX/3 (September 1963), pp. 93 97.
"Legman's Legacy," Contact, IV/1 (July 1963), pp. 68 71.
"Leslie A. Fiedler: Voice of the West," Columbia Spectator Supplement, IV/2 (February 15, 1963), pp. 1, 3, 4.
"The Talent of laaac Rosenfeld," Chicago Jewish Forum, XXII/2 (Winter, 1963-64), pp. 145 48.
REVIEWS:
Chicago Jewish Forum: H. Stuart Hughes's An Approach to Peace (Spring 1963). James Baldwin's The Fire Next Time (Fall 1963),
Commonweal: Three books of recent Russian literature (January 11, 1963). José Clemente Orozco's An Autobiography (January 18, 1963). Fiction by Calvin Kentfield and Evan S. Connell, Jr. (August 23, 1963).
New York Herald Tribune Books: Dan Jacobson' s Time of Arrival (September 8, 1963).
New York Times Book Review: Curtis Jahn's American Contemporary (November 24, 1963).
Progressive: Dwight Macdonald's Against the American Grain (February, 1963). Harold Courlander's Negro Folk Music, U.S.A. and LeRoi Jones's Blues People: Negro Music in White America (December, 1963)`
Social Research: Deming Brown's Soviet Attitudes Toward American Writing (Autumn1963).
Southwest Review: Louis D. Rubin Jr., and Robert D.Jacobs' South: Modern Southern Literature in Its Cultural Setting (Summer 1963).
The Vlllage Voice: Vladimlr Nabokov 's The Gift (June 13, 1963). John Simon's Acid Test (August 29, 1963).
1964
BOOKS:
On Contemporary Literature (New York: Avon Books). Edited, with an introduction.
ESSAYS:
"The Bad Criticism of This Age," Minnesota Review, IV (Spring, 1964). pp. 387 414.
"A Communication," Contact, IV/4 (April May, 1964), pp. 73 74.
"Contemporary Literature," On Contemporary Literature, pp. xv xxvii.
"The Critical Eye," Chicago Jewish Forum, XXII/4 (Summer, 1964), pp. 375 79.
"Edward Albee," On Contemporary Literature, pp. 225 231.
"Jean Genet" (with Jonathan Cott), On Contemporary Literature, pp. 347 365.
"Nabokov's Obtuse Fool," On Contemporary Literature, pp. 481 485. [Reprinted, The Glasgow Review, II (Autumn, 1965), pp. 12-14.]
Postscript, 1964, on Iris Murdoch, On Contemporary Literature, p. 472.
Profile of Peter Hall, New York Herald Tribune (Paris Edition), (December 28, 1964), 1 p.
"The Reactions Against Herman Kahn's Work: A Critical History," Selected Essays in Foreign Policy, 1963-64 (New York: International Fellows Program of Columbia University), pp. 45 52.
REVIEWS:
Book Week: Henry Miller on Writing, edited by Thomas H. Moore (November 8, 1964).
Chicago Jewish Forum: M. Stanton Evans' Revolt on Campus (Winter1963 64). Ivan Gold’s Nickel Miseries (Fall 1964).
New York Times Book Review: Tommaso Landolfi's Gogol’s Wife (January 5, 1964). Luis Harss' The Little Men (April 5, 1964). J. P. Donleavy's Meet My Maker the Mad Molecule (September 27, 1964).
New York Herald Tribune (Paris Edition): The Royal Shakespeare Company's productions of Shakespeare' s complete English histories (October 27, 1964). Spike Milligan's adaptation of Son of Oblomov (December 10, 1964). Henry Livings's Eh? (December 12, 1964).
Progressive: Two books of avant garde literature (June 1964).
Sewanee Review: Edward Albee’s adaptation of The Ballad of the Sad Cafe (Autumn 1964).
Shenandoah: Sergio Pacifici’s A Guide to Contemporary Italian Literature (Winter, 1964) .
1965
BOOKS:
The New American Arts (New York: Horizon Press). Edited, with an introduction.
ESSAYS:
“The American Absurd Novel," The Listener, LXXIII, 1885 (May 13, 1965), pp. 705, 708. [Reprinted as ''The Point Is That Life Doesn’t Have Any Point,” The New York Times Book Review (June 6, 1965), pp. 3, 28, 30.]
"America's Novel,” The Scotsman Week-end Magazine (April 10,1965), p. 1. [Reprinted, in French translation, as “Le roman américain ‘absurde,’” Les Temps Modernes, 239 (April. 1966), pp. 1856 -1861; in On Contemporary Literature, 2nd ed., ed. R. Kostelanetz (N.Y.: Avon, 1969), pp. 634-643.]
“Finding Fiedler,” Twentieth Century (London), CLXXIV/1026, (Summer 1965), pp. 68-70.
“From Nightmare to Serendipity: A Retrospective Look at William Burroughs, " Twentieth Century Literature, II, 3 (October, 1965). pp, 123 30.
“Ginsberg Makes the World Scene,” The New York Times Magazine (July 11, 1965), pp.22-23, 27, 30, 32-33. [Reprinted, in part, Jewish Digest (October 1966), pp. 32-36.]
"Lee Strasberg," Plays and Players, XII, 9 (June 1965), p. 3.
“Men of the Thirties,” Commonweal, LXXXI (December 3, 1965), pp, 266-69
"Militant Minorities,” Hudson Review, XVIII (Autumn, 1965), pp. 472-76, 478, 480. (Also, “A Communication ,” XVIII (Winter 1966-67), pp. 632, 634, 636.)
“The New American Fiction," The New American Arts, pp. 194 236. [Reprinted, condensed, Ramparts, III/5 (January February 1965) , pp. 57-60, 62.]
"The New American Theatre," The New Amerlcan Arts, pp. 50-87. [Reprinted, entire, as “Il nuovo teatro Americano,” Nuova Presenza (Milan), 15 16 (Autumno-Inverno, 1964-65),' pp. 20 61; entire, Theatron (Athens), 21 (Autunno, 1966); entire, Revista de Occidente (Madrid), III/32 (November, 1965), pp. 21449; abridged, “The Off-Broadway Talent." Encore, XI/6 (November December 1964), pp. 31 44. A section, extracted and revised, “The Living Theater: With the Force of a Plague,” Prompt (London) I/7 (Summer, 1966), pp. 23-26.]
“Notes on the American Short Story Today,” The Minnesota Review, V/3 (August-October, 1965), pp. 214 2t, (Reprinted, "The Short Story in Search of Status,” Twentieth Century, CLXXIV, 1027 (Autumn, 1965), pp. 65~69; Nuova Presenza (Milan), 23 (1967), pp. 21-35. Revised and expanded, "Introduction," Twelve from the Sixties (New York: Dell Books, 1967), pp. 9-21.
"Notes on the New Arts in America," The New Amerlcan Art, pp. 11 30. [Abridged, Books, U.S.A., 14 (London: USIS), pp. 3-9. Abridged, Ark: The Journal of the Royal College of Art, 38 (Summer1965), pp. 2-11.]
“Pornography,” Twentieth Century, CLXXIV, 1026 (Summer1965). pp. 4 10.
"The Zoo Story,” programme note to the London Theatre Royal’s production of Edward Albee's play (February 1965).
REVIEWS:
Commonweal: Marc Slonim's Soviet Russian Literature. Writers and Problems, and Andrew Field’s Pages from Tarusa (March 9,1965). Wilfrid MeIlers’ Music in a New Found Land (June 18, 1965). Five booknotes for Christmas reading (December 3, 1966).
Encore (London): John Antrobus's You’ll Come To Love Your Sperm Test (a play) (March April, 1965).
Listener: Daniel Boorstin's The Americans: The Colonial Experience, Howard Mumford Jones’ O Strange New World, Clarence Ver Steeg’s The Formative Years, and Esmond Wright’s Fabric of Freedom (May 20, 1965).
Nation: Gisela Elsner°s The Giant Dwarfs (October 4, 1965). Alfred Anderach’s The Night of the Giraffe, Adolfo Bioy Cesares's The Invention of Morel, Pierre Gascar's Women and the Sun, Jakov Lind's Soul of Wood, Alberto Moravia's The Fetish, Morgan's The Modern Image, (October 11, 1965).
New York Times Book Review: Leslie A. Fiedler's Back to China (August 1, 1965). Gina Berriault’s The Mistress (September 19, 1965).
Partisan Review: Hayden Carruth and J. Laughlin's A New Directions Reader and J. Laughlin’s New Directions in Prose and Poetry, 18 (Summer 1965).
Plays and Plavers: The Habimah production of S. Ansky's The Dybbuk (July, 1965).
Progressive: Edgar Z. Friedenberg's Coming of Age in America and The Dignity of Art and Other Ataviams (December, 1965).
Quartet: Stanley Kubrick's Doctor Strangelove (Spring, 1965).
Sewanee Review: Ralph Ellison 's Shadow and Act (Winter 1965). [Reprinted, expanded, as “The Negro Genius,” Twentieth Century, CLXXVI, 1033 (Second Quarter 1967), pp. 49-50.]
Shenandoah: James Dickey’s The Suspect in Poetry (Spring 1965). [Reprinted as “Flyswatter and Gadfly,” in Richard J. Calhoun’s James Dickey: The Expansive Imagination {Everett/Edwards, 1973), pp. 135-41.]
Sunday Times Magazine (London): A dozen paperbacks of contemporary European fiction (March 28, 1965). Nine paperbacks of contemporary American fiction (November 7, 1965)
Tribune (London): B. S. Johnson and Zulfikar Ghose's Statement Against Corpses, Ellis Ayitey Komey and Ezekiel Mphahlele's Modern African Stories , and A. D. Maclean’s Winter Tales 10 (January 6, 1965).
BOOKLET:
La Cultura do Los Estadoa Unidos en la Actualidad. Washington, DC: United States Information Service, 1966. 5 pp.
ESSAYS:
"The Artist as Playwright and Engineer,” The New York Times Magazine (October 9, 1966). pp. 32 33, 109 110, 114, 119 20, 122, 124.
"Criticizing the Crltics," Holiday, XXXIX/3 (March, 1966), 158b, 158d, 158f, 158g.
"The English Literary Scene: An American View,” Salmagundi, I/3 (1966), pp., 39 55. [Reprinted as. "Where Have All the Critics Gone," Twentieth Century, CLXXIV, 1029 (Spring, 1966), pp. 58 64.]
"Marshall McLuhan: A Hot Apostle in a Cool Culture,” Twentieth Century, CLXXIV, 1031 (Autumn, 1966), pp. 38 4S. [Reprinted as, "Ojeada critica al pensamiento de Marshall McLuhan," Revista de Occidente (Madrid), V/2 (Agosto, 1967), pp. 200 20. Abridged, as, "Marshall McLuhan: Making the Unconscious Conscious," Commonweal, LXXXV, 15 (Jan. 20, 1967), pp. 420 26; reprinted in Bernard Bergonzi, ed., Innovations (Macmillan [London], 1968), pp. 134 149; Raymond Rosenthal. ed., McLuhan Pro and Con (Funk & Wagnalls, 1968). pp. 207 229; Harry H. Crosby and George R. Bond. eds., The McLuhan Explosion (American Books, 1968), pp. 131 142.]
“‘The New American Fiction' Reconsidered,” Tri Quarterly, II/2 (Winter, 1 967), pp. 279~286. [Reprinted, in part, in On Contemporary Literature (N.Y.: Avon, 1969), pp. 643-652.]
"New York in Fiction,” Columbia University Forum. IX/3 (Summer 1966), pp. 44 46.
“‘Our Greatest Living Man of Letters' [Edmund Wilson]," The Reporter, XXXIV/ 2 (January 27, 1966), pp. 53 4. [Reprinted as, "The Other Mr. Wilson," Twentieth Century, CLXXIV, 1028 (Winter, 1966), pp. 71 72.]
“The Prevalence of Paul Goodman," The New York Times Magazine (April 3, 1966), pp. 70 71, 91, 93, 96, 98, 100.
REVIEWS:
Art Voices: La Monte Young's The Tortoise. The Dream and Journeys (Autumn, 1966).
Cavalier: Susan Sontag's Against Interpretation (June. 1966). [Reprinted, enlarged, as "The Susan Sontag Story So Far," Twentieth Century, CLXXIV, 1032 (First Quarter 1967).]
Chicago Review: Martha Foley's The Best American Short Stories, 1964 & 1965; Richard Poirier and William Abrahams' Prize Stories: The O. Henry Awards, 1965 & 1966; and William Peden's The American Short Story (Autumn 1966).
Commonweal: Rlchard Hofstadter's The Paranoid Style in American Politics (February 18, 1966). Newton Arvin's American Pantheon and R.W.B. Lewis's Trials of This World (October 7, 1966). Five Booknotes for Christmas Reading (December 2, 1966).
Nation: Walter Johnson & Francis J. Colligan’s The Fulbright Program (June 13, 1966).
Progressive: Gilbert Osofsky's Harlem: The Making of the Ghetto (May 1966).
Shenandoah: Robert Brustein's Seasons of Discontent and The Theatre of Revolt; and Charles Marowitz, Tom Milne, and Owen Hale's The Encore Reader (Summer1966).
Twentieth Century: A. Alvarez's Under Pressure (Summer 1966). [Reprinted. expanded, Massachusetts Review (Summer 1968).]
1967
BOOKS:
Las Nuevas Artes Notreamericanas. Buenos Aires, Argentina: Bibliografica Omeba. 297 pp. [Spanish translation.]
Novos Rumos de Artes. Rio de Janeiro, Brazil: Lidador. [Portuguese translation.]
Twelve from the Sixties. N.Y.: Dell, 272 pp. Edited, with an introduction.
The Young American Writers. N.Y.: Funk & Wagnalls, 365 pp. Edited, with an introduction and a contribution.
BOOKLETS
Music of Today. N.Y.: Time, Inc., 59 pp.
REPRINTS IN BOOKS s
"The American Absurd Novel," in Douglas M. Davis, ed., The World of Black Humor. N.Y.: Dutton, pp. 306 313,
ESSAYS:
“‘Commentary' Scrutinized," Minnesota Review, VII/3 (November 1967).
"The Compleat Critic," Twentieth Century, CLXXIV, l032 (First Quarter 1967), pp. l7 19. [Reprinted, enlarged, as "Thoughts on Criticism," Panache, 2 (l968), pp. 44 50.]
"Culture and Pseudo Culture," Twentieth Century, CLXXIV, 1033 (Second Quarter 1967), pp. 38 39.
"The Glenn Gould Variations," Esquire, LXCIII/5 (Nov., 1967), pp. 142, 144 45, 165, 167. [Reprinted in William Kilbourn, ed., Canada: A Guide to the Peaceable Kingdom (Toronto: Macmillan, 1970) , pp, 320 25.]
"The Harlem I Know," Congress Bi Weekly, XXXIV/3 (February 6, 1967), pp. 8-10.
"How Best Sellers Become Best Sellers (Usually)," Books, IV/4 (May, 1967), pp. 1, 5.
"Modern Music Criticism and the Literate Layman," Perspectives of New Music, IV/1 (Fall Winter 1967), pp. 119 33.
"The Perils and Paucities of Democratic Radicalism," Salmagundi, II/l (Spring1967), pp. 44 60.
"The Politics of Ellison's Booker: Invisible Man as Symbolic History," Chicago Review, XIX/2 (1967), pp. 5 26. [Reprinted in Robert Hemenway, ed., The Black Novelist (Columbus, OH: Bell & Howell, 1970), pp. 80-110; Joseph F. Trimmer, ed., A Casebook on Ralph Ellison's Invisible Man (N.Y.: Thomas Y. Crowell, 1972), pp. 28l 305.]
"Scene But Not Herd: USCO," Harper's Bazaar, CI/3073 (December 1967), pp. 52, 7l, 75, 84.
"The Space of Man," Urban Review, II/3 (December 1967), pp. 4, 28.
"The Two Extremes of Avant-Garde Music," The New York Times Magazine (Jan. 15, 1967), pp. 34, 52, 54 55, 57, 59, 62, 64. [Reprinted, abridged, in Polish translation, Ameryka, 106 (1967), pp. 10 13; in Russian translation, America Illustrated, 133 (l967), pp. l0 13; in Rumanian, Bulgarian, Hungarian, and Czech translations, The Cultural Bulletin (USIA).]
"Understanding McLuhan (In Part)," The New York Times Magazine (Jan. 29, 1967), pp. 18, 37, 40, 42, 44, 47, 50. [Reprinted, entire, in Fort Lauderdale News (March 19, 1967), pp. 13 28; in Harry H. Crosby and George R. Bond, eds., The McLuhan Explosion (American Books, 1968); William P. Lineberry, ed., Mass Communications (N.Y.: H.W. Wilson, 1969), pp. 37 48; Ben B. Seligman, ed., Molders of Modern Thought (Chicago: Quadrangle, 1970), pp. 298 312; Wilbert F. Moore, ed., Technology and Social Change (Chicago: Quadrangle, 1972), pp. 90 104; in Braille, Ventures, IX/2 (Spring, 1967). Abridged as "Meet Marshall McLuhan," Catholic Digest, XXX/3 (July, 1967), pp. 127 35. Revised as "High Priest of the Electronic Jungle," Dialogue, I/1 (1968), pp. 55- 61; in Spanish translation, "EL Gran Maestro de La Jungla Plectronica," Facetas, I/l (l968), pp. 55 61; in Polish translation, Ameryka, 108 (1968), pp. 30-33; in Russian translation, America Illustrated, 135 (1968), pp. 30 33; in Serbian translation, Ivan Colonic, ed., Makluanova Galaksija (Beogard: Narodni Univerzitet Braca Stamenkovic, 1971), pp. 21-64.]
REVIEWS:
Commonweal: Gertrude Stein's The Making of Americans and Daniel Spoerri's The Anecdoted Typography of Chance (January 13, 1967). John Jacobus's Twentieth Century Architecture: The Middle Years. 1940 1965 (Aug. 25, 1967).Lucy R. Lippard's Pop Art and Brian O'Doherty 's Object and Idea (Dec. 29, 1967).
New York History: Robert W. Stallman and F. R. Hagemann, eds., The New York Sketches of Stephen Crane and Related Pieces (July, 1967).
Progressive: Charles Kiel's Urban Blues and Martin T. Williams's Where's the Melody? (Feb., 1967),
Reporter: Marshall McLuhan and Quentin Fiore's The Medium Is the Massage (April 20, 1967). R. P. Blackmur's A Primer of Ignorance (June 1, 1967).
1968
BOOKS:
The Theatre of Mixed Means. N.Y.: Dial. 311 pp. [Reprinted, London: Pitman's.]
Beyond Left & Right. N.Y.: Morrow. 436 pp. Edited, with an introduction. [Reprinted, abridged, in Japanese translation, Tokyo: Diamond, 1974.]
BOOKLETS;
Piccola anthologia della nuova poesia americana. Milan: Nuova Presenza. Edited, with a preface. 70 pp.
ESSAYS:
"The Astounding Success of Elliott Carter," High Fidelity, XVIII/5 (May, 1968), pp. 41 45. [Reprinted, abridged, in Russian translation, America Illustrated, 146 (Dec., 1968), and in Polish translation, Ameryka, 119 (December 1968).]
"A Conversation with Robert Rauschenberg," Partisan Review, XXV/ l (Winter 1968), pp. 92 109,
"Critical Writing for American Magazines," Works, I/4 (Summer 1968), pp. 84 95.
"Dada and the Future of Fiction," Works, I/3 (Spring 1968), pp. 58-66. [Reprinted, abridged, Dada Surrealism, I/1 ( 1971), pp. l9 26.]
"Fictions for a Negro Politics: The Neglected Novels of W.E.B. DuBois," Xavier University Studies, VII/2 (July 1968),pp. 5 39. [Reprinted, William L. Andrews, ed., Critical Essays on W.E.B. DuBois (Boston: G.K. Hall, 1985), pp. 173-94.]
“The Graduate School Blues, National Review, XX/I0 (March 12, 1968).
"Kaprow Conversation,” Twentieth Century, CLXXVI/2 (1968), pp. 38 43.
"McLuhan's Message," Book of the Year Chicago: Encyclopedia Britannica), pp. 655 56.
"New Sound for a Plugged In Age," Look, XXXII/1 (January 9, 1968), p. 45.
“One-Man Think Tank,” New York Times Magazine (December 1, 1968), pp. 59, 82, 86, 88, 92, 96, 97, 105, 106, 114, 122, 123.
"Radical Thought for Our Time," S.F. Earthquake, I/4 (Summer Fall 1968) pp. 18 29. [Abridged, Books, V/8 (September 1968), p. 3.]'
"Il teatro americano é spettacolo non litteratura," Sipario, 272 (December 1968), pp. 20 21.
"Le théâtre des formes mêlées," Les Lettres Nouvelles (Nov. Dec., L968), pp. 104 115.
"The Theatre of Mixed Means," Works, I/2 (Winter, 1968), pp. 41 66. [Reprinted, abridged, in Italian translation, "Il teatro dei Mezzi Misti," Sipario, 272 (Dec., 1968), pp. 132 36; abridged differently, also in Italian, "Il theatre of mixed means," Nuova Presenza, 31 (1969), pp. 1 13.]
"(The Theatre of Mixed Means) A Conversation with Robert Whitman (Within a Critical Parenthesis)," Cultural Affairs, 2 (1968), pp. 28 34.
"We Don't Know Any Longer Who I Was," New York Times (March 17, 1968), p. D9.
"The Young Writers," Writer's Yearbook (1968), pp. 80 81, 110-113.
VISUAL POEMS:
"Disintegration," Agentzia, 11/12 (1968).
"Disintegration," "Miscegenation," "Smog," S. F. Earthquake, 4 (Fall 1968).
"Football Forms, I VI," Approches, 3 (1968). [Reprinted in Jean François Bory, ed., Once Again (N.Y.: New Directions), pp. 40 43; Choice, 6 (1970), pp. 30 33; Eugene Wildman, ed., Experiments in Prose (Chicago: Swallow, 1969), pp. 268 71; R. R. Knudsen and P.K. Emert, eds., Sports Poems (N.Y.: Dell, 1971), pp. 50 53; and Massin, Letter and Image (Paris: Gallimard; N.Y.: Van Nostrand; Ravensburg, Germany: Otto Maier, 1970), p. 235 in all editions.]
"Hiroshima," "Pie," Columbia University Forum, XI/3 (Fall 1968).
"Nymphomania," Once Again (N.Y.: New Directions).
"Tributes to Henry Ford, I III," in Paul Carroll, ed., The Young American Poets (Chicago: Follett), pp. 227 9. [Reprinted in Geoffrey Summerfield, ed., Voices (Chicago: Rand McNally; Harmondsworth: Penguin, 1969), pp. 84 86; Stephen Dunning, et al, eds., Poetry (N.Y.: Scholastic, 1970), pp. 58, 60, 62; in an augmented version, Continuum, 2 (l969); Bruce Vance, ed., Being Born and Growing Older (Toronto: Van Nostrand, l97 1), pp. 69 74; Richard Woollatt & Raymond Souster, eds., Sights and Sounds (Toronto: Macmillan, 1973), pp. 9 13; J. Paul Hunter, ed., Poetry: The Norton Introduction to Poetry (N.Y.: W. W. Norton, 1973); abridged, in Practical English, VLI/9 (March 21, 1969).
REVIEWS:
Commonweal: The Autobiography of W.E.B. DuBois (November 1, 1968).
Kenyon Review: Allan Kaprow's Assemblage, Environments & Happenings and Claes Oldenburg's Store Days (Issue 3, 1968)
Progressive: Herman Kahn & Anthony J. Wiener's The Year 2000 and Stuart Chase's The Most Probable World (March, 1968). Tom Wolfe's The Pump House Gang & The Electric Kool Aid Acid Test (November 1968).
1969
BOOKS:
Master Minds. N.Y.: Macmillan. 370 pp. [Reprinted, in Spanish translation, as USA: Revolución Cultural? 450 pp. (Buenos Aires: Rodolfo Alonso Editor, 1972).]
On Contemporary Literature. Revised & expanded edition. 699 pp. N.Y.: Avon.
ESSAYS:
"The American Avant Garde: John Cage," Stereo Review, XXII/5 (May 1969), pp. 61 69. [Reprinted in Master Minds, pp. 115 31.]
"The American Avant Garde: Milton Babbitt," Stereo Review, XXTI/4 (April 1969), pp. 61 69. [Reprinted in Master Minds, pp. 210 33.]
"The Arts in America: 1968," Reader’s Digest 1969 Almanac and Yearbook (Pleasantville, N.Y.: The Reader's Digest Association), pp. 857 58,
"The Cast of American Painting," Denver Quarterly, IV/l (Spring 1969), pp, 98 109,
"Conversation with Stanley Kunitz," Ameryka, 121 (July 1969), pp. 33 36.
"The Cultural Geography of New York City," in Polish translation, Ameryka, 129 (October 1969); in Russian translation, America Illustrated, 155 (October 1969 ), pp . 27 29,
“An End to Art?” New York Magazine, II/16 (April 21, 1969), pp. 44 45.
"Fiddler (and Drumbeater) of the New, New Music," The New York Times Magazine (March 23, 1969), pp. 30 31, 122, 124, 126 27.
"Inferential Art," Columbia University Forum, XII/2 (Summer, 1969), pp.19 26. [Reprinted, in French translation, in Les Lettres Nouvelles (September October I970), pp. 19-44; in Korean translation, in Non Dan, VI/1 (July August, 1970); in English, in Dennis DeNitto, ed, Media for the Millions (N.Y.: Holt, 1971), pp. 470 82.
“John Cage: Some Random Remarks," Denver Quarterly, III/4 (Winter, 1969), pp. 91-103. [Reprinted, in Spanish translation, as "Algunas observaciones misceláneas sobre John Cage," Sur, 322-23 (January-April 1970), pp. 167-80; in English, in John Cage (N.Y.: Praeger, 1970), pp. 193 207.]
"Moholy Nagy: The Risk and Necessity of Artistic Adventurism," Salmagundi, 10-11 (Fall 1969 Winter 1970), pp. 273 91. [Reprinted in Moholy Nagy (N.Y: Praeger, 1970), pp. 3 16, 206 214.]
“The New Left,” Congress Bi-Weekly (March 10, 1969), pp. 5-7.
"The New Music," Yale Review, LIX/2 (December 1969), pp. 314 20.
"New Rock: Culture or Chaos?” in Polish translation, Ameryka, 127 (August 1969), pp. 26 31; in Russian translation, America Illustrated, 154 (August 1969), pp. 26 31.
''The Politics of Passing: The Fiction of James Weldon Johnson," Negro-American Literature Forum, III/L (Spring 1969), pp. 22-24, 29.
"The Politics of Unresolved Quests in the Novels of Richard Wright," Xavier University Studies (Spring 1970), pp. 31 64.
"Ralph Ellison: Novelist as Brown Skinned Aristocrat," Shenandoah, XX/4 (Summer 1969), pp. 56 77. [Reprinted in Master Minds, pp. 36 59.]
"Reactions and Alternatives: Post WWII American Poetry," Chelsea, 26 (May, 1969), pp. 7 34. "Reprinted, in Italian translation, as "La Poesia americana del second dopoguerra," Nuova Presenza, 34 5 (Estate-Autono, 1969), pp. l 25; abridged in English as "The Streams of Recent American Poetry," On Contemporary Literature (1969), pp. 653 61: in a different abridgement as “Postwar Poetry: Visions and Revisions," Diologue, lI/3 (1969), pp. 44 50; in Spanish translation, "Visiones y Revisiones: La Poesia de la Postguerra," Facetas, II/3 (1969), pp. 50 57.]
"Reinhold Niebuhr: The Man Who Mixes Politics and Religion," Ministry Today (October 1969), pp. 14 18. [Reprinted in Master Minds, pp. 234-50.]
"They All Came to Cage's Circus," New York Times (May 25, 1969), D23. [Reprinted in John Cage (N.Y.: Praeger, 1970), pp. 173 77.]
REPRINTS IN BOOKS:
"Conversation with La Monte Young," in La Monte Young/Marian Zazeela, Selected Writings. Munich, Germany: Heinar Friedrich.
FICTIONS:
"One Night Stood," Panache, 3 (1969), pp. 39~45.
"Rain Rains Rain Variations," in Eugene Wildman, ed., Experiments in Prose (Chicago: Swallow), pp. 264 267.
VISUAL POETRY:
“A,” Extensions, 3 (1969).
“Chaos,” “Cultural Exchange,” “Disintegration,” “Miscegenation,” Chelsea, 26 (May 1969).
"Disintegration," "Ellipse," "Hiroshima,” “Truth,” US Quarterly, I/L (Summer 1969).
"Echo," as a card. Woodchester, Glos., England: Openings Press.
EXHIBITIONS:
Exposición international de la nueva poesia, Montevideo, Uruguay.
REVIEWS:
Artscanada: Moholy Nagy Exhibition Chicago (October 1969).
Ballet Review: Merce Cunningham's Changes Notes on Choreography (December 1969).
Rolling Stone: Samuel Charters' The Poetry of the Blues (February 1, 1969).
1970
BOOKS:
Visual Language. Brooklyn, NY: Assembling, 64 pp.
Imaged Words & Worded Images. N.Y.: Outerbridge & Dienstfrey, 96 pp. Edited, with an introduction and contributions.
John Cage. N.Y.: Praeger. Editied, with an introduction and contributions. [Reprinted, London: Allen Lane--Penguin, 1971; NY: Da Capo,1991. In German translation (Köln: DuMont Schauberg, 1973), 290 pp.; in Spanish abridgement, as Entrevista a John Cage (Barcelona: Anagrama, 1974), 77 pp.]
Moholy-Nagy. N.Y.: Praeger, 238 pp. Edited, with an introduction and contributions. [Reprinted, London: Allen Lane--Penguin, 1971; NY: Da Capo,1991.]
Possibilities of Poetry. N.Y.: Dell, 526 pp. Edited, with an introduction and contributions.
Assembling. Brooklyn, NY: Assembling, 162 pp. Cocompiled, with a preface and contributions.
REPRINTS IN BOOKS:
"Allen Ginsburg," in Theodore L. Gross, ed., Representative Men (N.Y.: The Free Press), pp. 257-75.
ESSAYS:
"Artistic Machines," Ballet Review, III/4 (Aug., 1970), pp. 39-51. [Reprinted, enlarged and illustrated, Chicago Review, XXIII/1 (Summer 1971), pp. 116-33.]
"Conversations with Berryman," The Massachusetts Review, XI/1 (Spring 1970), pp. 340-47. [Reprinted, expanded, The American Poetry Review, IX/6 (Nov.- Dec. 1980), pp. 39-43.]
"The Lively Arts: 1969," Reader's Digest 1970 Almanac and Yearbook (Pleasantville, NY: The Reader's Digest Association), pp. 809-10.]
"Metamorphosis in Modern Dance," DanceScope, V/1 (Fall 1970), pp. 6-21.
"Metamorphosis in the Arts," The Futurist, IV/1 (Feb. 1970), pp. 23-25.
"The New Arts and Their Scenes," Arts in Society, VII/1 (Spring-Summer 1970), pp. 49-60.
"Notes," to John Cage: Music for Keyboard, 1935-48 (Columbia Records M25 819), 2 pp.
"One Poet's View of Politics," The New Democrat, I/2 (May 1970), p. 8.
"Recent Film Reconsidered," Shenandoah, XXI/4 (Summer 1970), pp. 70-88.
"Recent Music," Mundus Artium, IV/1 (Winter 1970), pp. 39-56.
"Rock and Its Culture," The New York Times Book Review, LXXVI/7-part II (Feb. 15, 1970), pp. 2-3, 8.
"The State of the Art of Painting," The North American Review, 255/4 (Winter 1970), pp. 52-60.
"Today's Rock Sound," Compton's Encyclopedia (Chicago: Encyclopedia Britannica), pp. 400-02.
"Twenty-Five Hypotheses on Fiction," De Tafelronde, XV/3-4 (1970), pp. 86-88. [Reprinted in Panache (1971), PP. 3-5; American PEN, III/4 (Fall 1971), pp. 43-46; Ann Arbor Review, 19 (1974), pp. 40-41; Raymond Federman, ed., Surfiction (Chicago: Swallow, 1974), pp. 283-86.]
"Why Assembling?” Assembling, 2 pp. [Reprinted in The Book Review, 15 (Nov. 1970), pp. 14-15; American PEN, III/1 (Winter 1970-71), pp. 1-4.]
REVIEWS:
Commonweal: Jean-François Bory's Once Again, Mary Ellen Solt's Concrete Poetry: A World View, Eugene Wildman's The Chicago Review Anthology of Concretism, & Emmett Williams's An Anthology of Concrete Poetry (March 20, 1970).
POETRY:
"After Hawthorne," "Degenerate," "Echo," "Nixon-Nix," "Parallel Diagonals," "Sleep," "Extensions," in Imaged Words & Worded Images, pp. 8, 26, 27, 33, 80, 92.
"Anagogy," "Disintegration," "Miscegenation," "Nymphomania," in Possibilities of Poetry, pp. 454-57.
"Bikini," "Lollypop," Voyages, II/1-2 (Winter, 1970).
"Black-White," "Concentric," Hiram Poetry Review, 9 (Fall-Winter 1970).
"Conjugal Love," Ovum 10, II/3 (June 1970).
"Disintegration," Art International, XIV/7 (Sept. 20, 1970).
"Ellipse," "Lollypop," De Tafelronde, XV/3-4 (1970).
"Integration," "Orgasm," De Tafelronde, XV/1 (April, 1970). [The latter, "Orgasm," reprinted in Asa (Tokyo), 4 (1971); Marguerite Harris, ed., Loves, Etc. (Garden City: Doubleday Anchor, 1973), p. 20.]
"Museum," "P," The Smith, 11 (May 1970).
"Nixon-Noxin," New York Quarterly, I/4 (Fall 1970)
FICTIONS:
"Dialogue," "Excelsior," "Tripping," Assembling, 6 pp.
"In the Beginning" [in excerpt], Art International, XIV/7 (Sept. 20, 1970), p. 46.
EXHIBITIONS:
"Expose: Concrete Poetry," Indiana Univ. (Feb. 1970).
"Imaged Words & Worded Images," Loeb Student Center at New York Univ. (April 1970).
"Dorothy," Bear Lane Gallery, Oxford, England (June 1970).
"Visual Poetry," Bookshop Gallery, Sunderland, England (June 1970)
"La Poesia degl. Anni 70," Brescia, Italy (Aug. 1970), and elsewhere.
"Exposicion Internacional de Ediciones de Vanguardia," Hall de la Universidad, Montevideo, Uruguay (Sept. 1970)
1971
BOOKS:
In the Beginning. Somerville, MA: Abyss, 64 pp.
Human Alternatives. N.Y.: Morrow, 297 pp. Edited, with an introduction.
Second Assembling. Brooklyn, NY: Assembling, 180 pp.
Social Speculations. N.Y.: Morrow, 306 pp. Edited, with an introduction.
REPRINTS OF BOOKS:
On Contemporary Literature. Hardbound (of 1964 first edition). Freeport, NY: Books for Libraries.
SPECIAL ISSUES OF LITERARY MAGAZINES:
"Future's Fictions," Panache (1971), 192 pp. Edited, with a preface and contributions.
"Young Writers," American PEN, III/4 (Fall 1971), 74 pp. Edited, with an introduction and contributions.
ESSAYS:
"Alternative Thinking," The Humanist, XXXI/5 (Sept.-Oct. 1971), pp. 20-26. [Reprinted in Human Alternatives, pp. xvii-xxxiii.]
"The American Literary Establishment," The San Francisco Book Review, 20 (June 1971), pp. 4-7, 36-38.
"Artistic Environments in the Sixties," South Dakota Review, VIII/4 (Winter 1970-71), pp. 17-35.
"Innovative Forms of Recent Sculpture," Studies in the Twentieth Century, 7 (Spring, 1971), pp. 1-20.
"Keeping the Alternative Faith Publishing," The Book Review, 18 (March 1971), pp. 11, 26-27, 38. [Reprinted, revised, as "Small Presses," Panache, 7 (1971), pp. 45-50.]
"Machine Art," Centennial Review, XV/2 (Summer 1971), pp. 229-49.
"New Fiction--What Directions?" Los Angeles Times--Book Review (Dec. 12, 1971), p. 2.
"'Nick the Knife,' or the Life of a Pro Football Doctor," The New York Times Magazine (Dec. 19, 1971), pp. 12-13, 15-16, 18, 20, 22, 24, 26-27.
"The Perils of Newspaper Literacy," The Humanist, XXXI/4 (July-August 1971), pp. 32-33. [Reprinted in Seeing through Shuck (N.Y.: Ballantine, 1972), pp. 87-91.]
"The Rule of Power, Corruption and Repression," December, XIII/1-2 (1971), pp. 11-39.
"The State of New Poetry in America," Lotta Poetica, 2 (July 1971).
"Theatrical Events Mixed in Means," Confrontation, 4 (Winter 1970-71).
"Visions for Our Time," The Futurist, V/3 (June 1971), pp. 112-14, 118-20. [Reprinted in Social Speculations, pp. 19-30.]
"What Is To Be Done?" Chicago Review, XXIII/2 (Autumn 1971), pp. 41-65.
"Why Second Assembling?" Second Assembling, pp. 1-2.
"Young Writers in North America," American PEN, III/4 (Fall, 1971), pp. 1-30.
Untitled contribution to a symposium on "The Arts in a Technological Environment," Arts in Society, VIII/2 (Summer-Fall 1971), p. 497.
REVIEWS:
Arts in Society: Sophie Lissitzky-Küppers' El Lissitzky, Hans M. Wingler's The Bauhaus, & L. Moholy-Nagy's Painting Photography Film (Spring-Summer 1971).
REPRINTS IN BOOKS:
"Cold War," "Concentric," "Disintegration," "Manifestoes," in Fred Wolven & Duane Locke, eds., New Generation: Poetry (Ann Arbor Review Books), pp. 24-27.
POEMS:
"Abracadabra," "Benedictine," "Conjugal Love," "Exponential," "Eye Chart," "Good Humor," "Justice," "Orthodontia," Ann Arbor Review, 13 (1971), pp. 26-34.
"Explosion," in Dana Atchley, ed., Space Atlas (Victoria, BC: Ace Space Co.), 2 pp.
"Is This Art?" Second Assembling (1971), 1 p.
"Sixth Street--First-Second Avenue," New York Quarterly, 6 (Spring 1971), p. 50.
"Sleep," "Echo," Read, XX/16 (April 16, 1971).
FICTIONS:
"Accounting," Panache (1971), pp. 7-21. [Reprinted as a booklet (Milianino sul Garda, Italy: Edizioni Amodulo, 1972), in a 12-page defective edition; in its correct version, as a 14-page booklet (Sacramento, CA: Poetry Newsletter, 1973).]
"Ascending," Second Assembling, 1 p.
"Biography," Penumbra, 10 (Fall 1971), pp. 52-56. [Reprinted, in a corrected version, Stations Three (1976), pp. 61-65; Laughing Bear, I/1 (Summer 1976), 5 pp.]
"Genesis," Unmuzzled Ox, I/1 (1971), pp. 51-58. [Reprinted in Jerry Bowles, ed., This Book Is a Movie (N.Y.: Dell), pp. 187-95.]
"In the End & the Beginning," Dust, 17 (1971), pp. 3-11.
"Milestones in a Life," Center, 2 (July 1971), p. 23. [Reprinted in In Youth (N.Y.: Ballantine, 1972), pp. 174-76.]
"On Fortune & Fate," Panache (1971), p. 33.
"Plateaux," Panache (1971), pp. 4-14. [Reprinted in Tabloid Story, 17; Oyez Review, 6 (1978), pp. 99-109.]
"Too Much," Box (California Institute for the Arts), I/1 (March 1971), 6 pp.
EXHIBITIONS:
"Texte-Bilder-Zeichen," Galerie Im Hof, Giessen, Germany (April-May 1971).
"Expo International of Propositions to Perform," Buenos Aires, Argentina (July 1971).
"Concrete Poetry," Harmanus Bleecker Library, Albany, NY (Oct. 1971).
"Rassegma dell'esoeditoria Italiana," Trento, Italy (Nov. 1971)
"International Concrete-Visual Poetry Exhibit," Shenendehowa Free Library, Clifton Park-Halfmoon, NY (Nov.-Dec. 1971).
1972
In Youth. N.Y.: Ballantine, 327 pp. Edited, with an introduction and contributions.
Seeing through Shuck. N.Y.: Ballantine, 343 pp. Edited, with an introduction and contributions.
Third Assembling. Brooklyn, NY: Assembling Press, 280 pp. Cocompiled, with a preface and contributions.
REPRINTS IN BOOKS:
"Disintegration," "Ellipse," "Hiroshima," "Truth," in Dan Omer, ed., Mixed-Media--Poetry: Anthology (Jerusalem: Orlogin), pp. 59-62.
"Notes on the American Short Story," in Hans Bungert, ed., Die Amerikanische Short Story (Darmstadt: Wissenschaftliche Buchgesellschaft), pp. 368-87.
"Tributes to Henry Ford, I-III," in John Shawcross & Frederick R. Lapides, eds., Poetry and Its Conventions (N.Y.: Free Press), pp. 191-92.
"Twiggy," in Klaus Peter Dencker, ed., Text-Bilder Visuelle Poesie International (Köln: DuMont Schauberg), p. 134.
ESSAYS:
"Debunking Now," The Humanist, XXII/4 (July-Aug. 1972), pp. 21-22. [Reprinted in Seeing through Shuck, pp. 336-43.]
"Introduction," Liam O'Gallagher, The Blue Planet Notebooks (San Francisco), 1 p.
"Irvin Faust," "Leslie A. Fiedler," in James Vinson, ed., Contemporary Novelists (N.Y.: St. Martin's), pp. 411-12, 414-15.
"Literary Power and Literary Violence," Unmuzzled Ox, I/2 (Feb., 1972), pp. 59-88.
"New Literary Periodicals: Part I," Stuffed Crocodile, I/3 (Aug. 1972), pp. 45-75; "Part II," I/4 (Nov. 1972), pp. 75-98. [Reprinted, revised, Margins, 8 (Oct. & Nov. 1973), pp. 21-31.]
"New Poetries in America," Quadrant, XVI/6 (Nov.-Dec. 1972), pp. 27-33. [Reprinted, in a different form, Kontexts, 4 (Winter 172-73).]
"Recession in the Arts," Reader's Digest 1972 Almanac and Yearbook (Pleasantville, NY: Reader's Digest Association), pp. 801-02.
REVIEWS:
Commonweal: Ezra Pound's The Cantos (July 29, 1972).
POEMS:
"Abracadabra," "Diffuse," Abraxas, 7 (1972).
"Bikini," "Gossip," Asa, VI/6 (1972), pp. 61-62.
"Concentric," WBAI, XIII/1 (Jan. 1972).
"eme," Ghost Dance, 15 (Fall 1972), pp. 16-17. [Reprinted in Abraxas, 10 (1974), 2 pp.]
"I Articulations," untitled palindrome, Equal Time (N.Y.: Equal Time), pp. 40-41. [The latter is reprinted in Anyart Journal, IV/1 (Spring 1978), p. 46.]
"Inquisition," untitled alphabet, Panache, 9 (1972), pp. 30-31.
"Love-Evol," Third Assembling (1972), 1 p.
"Me," Confrontation, 5 (Winter-Spring 1972), p. 57.
"Telephone Dial Poem," Kontexts, 4 (Winter 1972-73), 1 p.
FICTIONS:
"Development" (excerpt), Confrontation, 5 (Winter-Spring 1972), p. 56. [Reprinted, entire, in Breakthrough Fictioneers (Something Else, 1973), pp. 325-27.]
"Entree," Unmuzzled Ox, I/3 (June 1972), p. 21.
"Excelsior," Voyages, IV/3-4 (Spring 1971-Spring 1972), pp. 131-35.
"Faster and Farther," Out of Sight, 97 (Dec. 1972), 2 pp.
"Logic," Penumbra, 11 (Fall 1972), 5 pp. [Reprinted in De Tafelronde, XVIII/2-3 (1973), pp. 47-51.]
"Memories," Art Work, No Commercial Value (N.Y.: Grossman), 5 pp.
"Spirits Measured," Third Assembling (1972), 1 p.
"Times Perceived," Unmuzzled Ox, I/2 (Feb. 1972), p. 89.
"TransAction," Konglomerati (Fall 1972), 1 p.
EXHIBITIONS:
"Exposicion Exhaustiva de la Nueva Poesia," Galleria U, Montevideo, Uruguay (Feb.-March 1972).
"Hacia un Perfil del Arte Latinoamericana," El Centro de Arte y Comunicacion de Buenos Aires, Argentina (June-July 1972); Museo Emilia Caraffa, Cordoba, Argentina (Oct. 1972); Galeria Amadis, Madrid (Feb. 1973); Wspokczsna Gallery, Warsaw, Poland (May 1973).
"La Bienal Exposicion Internacional de Poesia," Instituto Panameno de Arte, Panama (Aug. 1972).
"Poesia in Piazza," Grottaglie, Italy (September 1972).
"Poesia Pubblica," Festival de l'Unita, Taranto, Italy (September 1972).
1973
BOOKS:
Breakthrough Fictioneers. Barton, VT: Something Else, 384 pp. Edited, with an introduction and contributions.
The Edge of Adaptation. Englewood Cliffs, NJ: Prentice-Hall, 180 pp. Edited, with an introduction.
Fourth Assembling. Brooklyn, NY: Assembling Press, 274 pp. Cocompiled, with a preface and contributions.
CHAPBOOKS:
Ad Infinitum: A Fiction. Friedrichsfehn, Germany: International Artists' Cooperation, 16 pp.
REPRINTS IN BOOKS:
"Bowdlerize [Part II]," in Bill Bissett, ed., What Isint Tantrik Speshul (Vancouver, BC: Blewointment), p. 37.
"Degeneration," "Integration," "Lollypop,"
"Serial Poem-Twelve Tone Row," in Richard Monaco, ed., New American
Poetry (N.Y.: McGraw-Hill), pp. 98-101.
.
"Eye Chart," "Miscegenation," "Nymphomania,"
in William H. Harlan, ed., Probes: An Introduction to Poetry (N.Y.: Macmillan),
3 pp.
"Flyswatter and Gadfly," in Richard J. Calhoun, ed., James Dickey: The Expansive Imagination (Deland, FL: Everett/Edwards), pp. 135-41.
"Lollypop," in Klaus Groh, ed., Hangups (Oldenburg, Germany: International Artists Cooperation), 1 p.
"No," in Klaus Groh, ed., Yes No Book (Oldenburg, Germany: Offende Weide), 1 p.
"Nymphomania," in Lewis Turco, Poetry: An Introduction to Writing (Reston, VA: Reston Pub. Co.), p. 45.
"Resources of Verbalized Knowledge," in Japanese, introducing Bernard J. Muller-Thym, Physiology of Business (Tokyo: Diamond-Time), pp. 297-309.
ESSAYS:
"Alternative Book Publishers," Margins, 9 (Dec. 1973-Jan. 1974), pp. 27-36.
"The Artistry of TV Football," The Humanist, XXXIII/1 (Jan.-Feb. 1973), pp. 24-26. [Reprinted as "Fanfare for TV Football," Intellectual Digest, III/2 (Aug. 1973), pp. 54-55; as "Made for Each Other: Football and TV," Newsday (Oct. 26, 1973), pp. 69-70.]
"A Decline in the Arts," Reader's Digest 1973 Almanac and Yearbook (Pleasantville, NY: Reader's Digest Association), pp. 161-63.
"Clark Coolidge," Camels Coming, 4 (1973), pp. 1-3.
"Innovaciones en la Ficcion Narrative," El Urogallo, 19 (Energo-Febero 1973), pp. 12-16. [Reprinted in Breakthrough Fictioneers, pp. xiii-xix.]
"Introduction," to Bern Porter, Waste Maker (Somerville, MA: Abyss), 1 p. [Reprinted, Stony Hills, 3 (1978), p. 3.]
"Locating American Literary Establishments," Ironwood, I/3 (Spring-Summer 1973), pp. 39-51.
"New Fiction in America," Denver Quarterly, VIII/3 (Autumn 1973), pp. 1-17. [Reprinted, Raymond Federman, ed., Surfiction (Chicago: Swallow, 1974), pp. 85-100; abridged, Stations, 3-4 (1976), pp. 110-113; in Polish, in Zbigniew Lewicki, et al, eds., Nowa Proza Amerykanska (Warsaw: Czytelnik, 1983), pp. 254-272.]
"The New York Literary Mob," December, XV/1-2 (1973), pp. 207-30.
"The Perils of Non-Publication," New Letters, III/1 (Spring 1973), pp. 17-19. [Reprinted as "Literary Censorship," The Humanist, XXIV/1 (Jan.-Feb. 1974); "Freedom of the Press," American PEN, V/3 (Jan.-Feb. 1973), pp. 24-26; Newsletter on Intellectual Freedom, XXII/2 (March 1974), pp. 27, 43-44; as "Freedom To Publish," Index on Censorship, IV/1 (Spring 1975), pp. 58-60.]
"The Persistence of the Avant-Garde: An Interview," Cultural Information Service, IV/2 (Feb. 1973), pp. 2-7.
"The Rule of Ignorance and Philistinism," Michigan Quarterly Review, XII/1 (Winter 1973), pp. 27-41.
"Technoanarchism," The Shore Review, 11 (1973), pp. 45-52.
"Ten Polemics about Third Assembling," New Letters, III/1 (Mid-Winter 1973), pp. 26-28. [Reprinted in Small Press Review, IV/2, 2 pp.; in Third Assembling (1972), 2 pp.]
"The Theatre of Mixed Means," "Jack Gelber," "Robert Hivnor," "Kenneth Koch," "John Ford Noonan," in James Vinson, ed., Contemporary Dramatists (N.Y.: St. Martin's, 1973), pp. 282-85, 380, 441-42, 579-81, 891-99. [The initial essay, retitled "Mixed Means Performance in Retrospect," was reprinted in Richard Kostelanetz's Younger Critics in North America (Tom Montag-Margins, 1976), pp. 61-65.]
"Why Assembling?" in Bill Henderson, ed., The Publish-It-Yourself Handbook (Yonkers, NY: Pushcart), pp. 81-94. [Reprinted, Second Aeon, 19-21 (1974), pp. 244-48; expanded, the second edition (Harper & Row, 1980), pp. 312-21.]
POEMS:
"A," "E," "H," "O," "X," "Y," "Z," "Ashes-Dust," "Rise-Fall," "Love-Evol," "See-Saw," "eme," "Degenerate," "Hearing," "Seeing," "Wings," "Ascending," Konglomerati, 2 (Summer 1973).
"C," Some, I/3 (Winter 1973), 1 p.
"Concentric," "Disintegration," "Manifestoes," within a single poster (Okemos, MI: Happiness Holding Tank).
"Degenerate," "Elaborate," "Rise-Fall," Far Point, 7-8 (Fall 1972-Spring 1973), pp. 41-43.
"Disintegration," On Site, 4 (1973), 1 p.
"From Fibonacci," "Self-Portrait," Fourth Assembling, 2 pp.
"Fun," Ovum, 2 (1973), 1 p. [Reprinted, Inch Art Issue (Aukland, New Zealand, 1974), 1 p.; Artists' Stamp Sheet (Northampton, 1978), 1 p.]
"Higher," "I Articulations," "Think," "Warmer," Ann Arbor Review, 17 (1973), pp. 41-45.
"Man God," The Dragonfly, 13 (April 1973), 1 p.
"Manifestoes," Twin Cities Express, I/3 (Nov. 17, 1973), 1 p. [Reprinted, as a poster, 17" by 22", Assembling Press, 1975.]
"Send More Money," in the catalog to "An International Cyclopedia of Plans and Occurrences" (Richmond, VA: Anderson Gallery).
FICTIONS:
"Amplify," Clown War, I/3 (1973), 5 pp.
"Arising," Diana's Bimonthly, II/1 (1973), 4 pp.
"Counterpoints," Konglomerati, 2 (Summer 1973), 1 p.
"Development," "Parallel Intervallic Sets," in Breakthrough Fictioneers (Barton, VT: Something Else), pp. 325-27, 345.
"Framing" (in excerpt), Signal [Yugoslavia], 8/9 (Jan. 1973). [Reprinted, entire, Osiris, 3 (June 1974), pp. 9-15.]
"Histories," Fourth Assembling (1973), 1 p.
"Metamorphosis," as a card (Milwaukee, WI: Membrane). [Reprinted, Intermedia, I/1 (Dec. 1974), p. 9.]
EXHIBITIONS:
"Hors Language," Centre National d'Art Dramatique, Nice, France (Feb.)
"An International Cyclopedia of Plans and Occurrences," Anderson Gallery, Virginia Commonwealth University, Richmond, VA (March-April).
"Tenth Annual Avant-Garde Festival," Grand Central Station, New York (Dec. 9).
"Typewriter Art," New 57 Gallery, Edinburgh, Scotland (Nov. 17-Dec. 6)
1974
BOOKS:
The End of Intelligent Writing. N.Y.: Sheed & Ward, 480 pp. [Reprinted as Literary Politics in America (Kansas City: Andrews & McMeel, 1977).
I Articulations/Short Fictions. N.Y.: Kulchur Foundation, 128 pp.
Recyclings. Brooklyn, NY: Assembling, 64 pp.
Fifth Assembling. Brooklyn, NY: Assembling, 284pp. As cocompiler, with a preface & contributions.
REPRINTS IN BOOKS:
"Echo," in Alec Allinson, et al., People Mirrors (Toronto: Nelson), p. 24.
Passages from previously published reviews, in Carolyn Riley and Barbara Harte, eds., Contemporary Literary Criticism. Volume 2 (Detroit, MI: Gale Research), pp. 61, 344.
PORTFOLIOS:
Numbers One. Six images, 22" by 30" (San Francisco: Cory Gallery).
ESSAYS:
"After Sentences--Visual Poetry," Camels Coming, II/5 (1974), p. 8. [Reprinted in West Coast Poetry Review, III/4 (Summer 1974), 2 pp.; Lazarus, I/1 (Oct.-Nov. 1974), 3 pp.; White Arms, I/2 (Nov. 1974), pp. 40-41; in James Vinson, ed., Contemporary Poets (N.Y.: St. Martin's, 1975), pp. 857-58.]
"Book Reviewing," New Letters, V/3 (April 1974), pp. 11-13.
"Critical Writing for American Magazines [augmented version]," Margins, 14 (Oct.-Nov. 1974), pp. 25-32, 82.
"Double Standards and Pseudo-Culture," Congress Bi-Weekly, XLI/10 (Oct. 25, 1974), pp. 15-17.
"Edwin Land and his Polaroid Cameras," Lithopinion, IX/1 (Spring 1974), pp. 48-57.
"Escritores Jovenes de Norteamerica," El Urugallo, V/27-28 (Mayo-Agosto 1974), pp. 101-109.
"Leslie A. Fiedler," Studies in the Twentieth Century, 13 (Spring 1974), pp. 21-38.
"The Literary-Industrial Complex," Beyond Baroque, 741 (Nov. 1974), pp. 6-15.
"The New Poetries in North America," Open Letter, II/7 (Winter 1974), pp. 18-39. [Abridged, in French, Art Press International, 27 (April 1979), pp. 13-15.]
"Statements on Short Fiction," Ann Arbor Review, 19 (Oct. 1974), pp. 40-41.
"Prospects--Possibilities of Rejuvenation & What Is To Be Done," Margins, 10 (Feb.-March 1974), pp. 33-43.
"The Rationales of Suppression," American Poetry Review, III/5 (Nov. 1974), pp. 38-41.
(Untitled record jacket note), Elephant Steps (Columbia Record, M2X 33044), 1 p.
"Why Fifth Assembling," Margins, 14 (Oct.-Nov. 1974), pp. 8-9. [Reprinted, Intermedia, I/1 (Dec. 1974), pp. 36-37; abridged, The New York Culture Review, I/12 (Nov. 11, 1974), p. 9; and in Fifth Assembling.]
"Why Fourth Assembling," New Letters, V/4 (June 1974), pp. 13-14. [Reprinted, Fourth Assembling, and Stations, 3/4 (1976), pp. 106-09.]
REVIEWS:
Margins: John Brockman's Afterwords (April-May 1974). [Reprinted in After Brockman (Abyss, 1974), p. 39.]
Small Press Book Club: Kenneth Gangemi's Lydia (May 1974); Gertrude Stein's Geography and Plays (July 1974); M. Vaughn-James' The Projector (Christmas 1974).
POEMS:
"Accumulate," Happiness Holding Tank, 13 (May 1974), 1 p. [Reprinted, Aiee, 2 (Jan. 1975), 1 p.]
"Degenerate," "Dialectical Theology," "Sphere," Interstate, I/1 (May 1974), pp. 10-12.
"Disintegration," "Echo," "Ellipse," "Orgasm," "Truth," Everyman (Summer 1974), 5 pp.
"Diverse/Obverse," Panache, 13 (1974), p. 12.
"The East Village [abridged]," Star Web Paper, 5 (Nov. 1974), pp. 69-76. [Different selection, West Coast Poetry Review, III/4 (Summer 1974), 3 pp.]
"Fifth Street--Second-Third Avenue," Fault, 6 (Nov. 1974), 1 p.
"Fourth Street--Second-Third Avenue," Mushroom, 2 (Sept. 1974), centerfold.
"Inferential Poem," Fifth Assembling, 1 p.
"Live," The Humanist, XXXIV/3 (May-June 1974), p. 27.
"Nixon-Nix," "Non," White Arms, I/2 (Nov. 1974), 2 pp.
"Numbers [ten images, with prose commentary]," World, VIII/3 (Summer 1974), pp. 20-23.
"O," "Z," "Oscillate," "Rise-Fall," Lazarus, I/1 (Oct.-Nov. 1974), 4 pp.
"Portraits: C & Q," Vile, I/4 (Sept. 1974), 2 pp.
"Radar," Fault, 5 (April 1974), 1 p.
"Radar [different version]," Intermedia, I/1 (Dec. 1974), P. 8.
"Rain Rains Rain [one image]," Fault, 6 (Nov. 1974), 1 p.
"Three Hundred Sixty-Five," Orgon [Spain], I/1 (Dec. 1974), 1 p. [Reprinted, Ear, 24 (Feb. 1975), 1 p.
FICTIONS:
"Annihilate," "Choking," Gegenschien Quarterly, 7-8 (1974), 14 pp.
"Autobiography," The Transient (May 1974), 1 p. [Reprinted, Lazarus, I/1 (Oct.-Nov. 1974), 1 p.; Vargen [Sweden], 2 (1974), p. 23; as a post card, Stone Press Weekly, 44 (April 1975); Gallimaufry, 7 (1976), p. 32; Soma-Haoma, 7 (1976).]
"Great-Greatest," Typewriter, 4 (1974), 3 pp.
"Milestones in a Life," Corridor [England], 5, p. 23.
"No Swimming Allowed," West Coast Poetry Review, III/4 (Summer 1974), 3 pp. [Reprinted, Schmuck, 5 (1974), foldout.]
"Obliterate," Ann Arbor Review, 18 (1974), pp. 65-70. [Reprinted, Chicago Review, XXVI/3 (1974), pp. 52-57; abridged, as an Ironwhorsebook, # 6 (Sacramento, CA: Poetry Newsletter, 1974), 32 pp.]
EXPERIMENTAL PROSE:
"Albee Edward (1964)," "Bad the Criticism This of Age (1964)," "Cafe Albees Sad (1964)," "Eh State on London Anarchy Highgrade Is (1964)," "Eye the Critical (1964)," "Fool Nabokovs Obtuse (1964)," "Literature Contemporary (1964)," "Shakespeare Cycle History (1964)," Gegenschein Quarterly, 910 (1974), 10 pp.
"Chatterly Reconsidered Lady," Center, 6 (July 1974), p. 42.
"Compleat the Critic," "Writers the American Young," Fault, 6 (Nov. 1974), 2 pp.
VIDEO:
Poetry To See & Poetry To Hear, Camera Three (WCBS-TV), May 12, 1974, 28 minutes, as author and narrator, with illustrations of his poetry and fiction. Subsequently circulated by the State Education Dept., New York.
EXHIBITIONS:
"Artists Books," and/or, Seattle, WA (May-June 1974).
"Conceptual Art Facing the Latin American Problem," Museum of Sciences and Art, National University of Mexico (Feb. 1974).
"A Head Museum for the Eighties," Gallery Cheap Thrills, Helsinki, Finland (Feb. 1974).
"Image Word-Poetry Concrete," Museum of Art, Univ. of Oklahoma (Sept. 3-22, 1974).
"Returned to Sender," Galleria Schema, Firenze, Italy (Feb. 1974).
"Toward a Profile of Latin American Art," Dudley Peter Allen Memorial Art Museum, Oberlin College (March-April 1974); Hochschule für Bilende Kunst, Hamburg, Germany (July 1974); Centro Experimental de Comunicacion y Arte, Panama, Panama (Sept. 1975).
"Prospectiva 74," Musea de Arte Contemporanea, Sao Paulo, Brazil (August-Sept. 1974).
"Festival de la Postal Creativa," Galleria U, Montevideo, Uruguay (Oct. 1974).
"Eleventh Annual Avant-Garde Festival," Shea Stadium, New York (Nov. 16, 1974).
1975
BOOKS:
Constructs. Reno, NV: WCPR, 112 pp.
Openings & Closings. N.Y.: D'Arc, 96 pp.
Portraits from Memory. Ann Arbor, MI: Ardis, 36 pp.
Essaying Essays. N.Y.: Out of London. Edited, with an introduction and contributions, 476 & xvi pp.
Language & Structure. Toronto: Kensington Arts. Edited, with an introduction and contributions, 80 p.
Sixth Assembling. Brooklyn, NY: Assembling. Cocompiled, with a preface and a contribution.
CHAPBOOKS:
Come Here. Des Moines-Brooklyn: Cookie-Assembling, 20 pp.
Extrapolate. Des Moines-Brooklyn: Cookie-Assembling, 20 pp.
Modulations. Brooklyn: Assembling, 28 pp.
PORTFOLIOS:
Word Prints. N.Y.: Privately published. Seven images, 26" by 40", silk-screened.
REPRINTS IN BOOKS:
"Asphyxiation," "Disintegration," "Higher," in Milton Klonsky, ed., Speaking Pictures (N.Y.: Crown), pp. 301-03.
"Football Forms," in Stephen Dunning, et al., eds., For Poets (N.Y.: Scholastic), pp. 128-29.
"Football Forms," "Framing" (abridged), "Nixon-Noxin," in Miroljub Todorovic, ed., Concrete, Visual and Signalist Poetry (Belgrade: Delos), 3 pp.
"Gossip," in Richard P. Sugg, Appreciating Poetry (Boston: Houghton Mifflin), p. 192.
"Kill," "Live,' in Language & Structure (Toronto: Kensington Arts), pp. 17, 52.
"Lollypop," in John Ashmead, et al., Synthesizing (Lexington, MA: Ginn), p. 250.
"Manifestoes," "1024," "Recyclings," "Self-Portrait," Essaying Essays (N.Y.: Out of London), pp. 156, 163-66. 270, 293.
"Mullions," in Alan Riddell, ed., Typewriter Art (London Magazine Editions, 1975), p. 118.
"Museum," "Nixon-Noxin," in Fernando Millán & Jesús García Sánchez, La escritura en libertad (Madrid: Alianza), pp. 98. 112.
"Primary Structure," in Walter Focke, ed., Etc. (Oldenburg, Germany: International Artists Cooperation), 1 p.
ESSAYS:
"After Sentences--Short Fiction," Intermedia, I/2 (June 1975), p. 48. [Reprinted as "The Future of Literature: America," Confrontation, 11 (Fall-Winter 1975), pp. 149-51; Da Vinci, II/1 (Autumn 1975), pp. 48-49; Laughing Bear, I/1 (Summer 1976), 2 pp; Tugboat, I/3 (Nov. 1976), p. 11.]
"The Beginning of The End of Intelligent Writing," Beyond Baroque, VI/2 (March-April 1975), pp. 44-46. [Reprinted, Stations, 3-4 (1976), pp. 100-06; Stephen Knight & Michael Wilding, eds., The Radical Reader (Sydney: Wild & Woolley, 1977), pp. 207-214.]
"Constructivist Fiction," Tracks, I/3 (Fall 1975), pp. 42-45. [Reprinted George's Shadow (Northeast, 1975), pp. 33-39; Waluna, I/1 (Winter 1965), pp. 117-22; Chicago Review, XXVIII/2 (Fall 1976), pp. 138-41; White Walls, 3 (Autumn 1979), pp. 50-51; abridged, Third Coast Archives, 9 (1977), 2 pp.; Total Abandon, 7 (1981), pp. 19-22.]
"Essaying the Essay," Book Forum, I/3 (May 1975), pp. 417-23. [Reprinted in Essaying Essays (N.Y.: Out of London), pp. 1-9.]
"Gertrude Stein: The New Literature," Hollins Critic, XII/3 (June 1975), pp. 1-15. [Reprinted, revised, Helicon Nine, 5 (Fall 1981), pp. 7-21.]
"Innovative Literature in America Today," in Frank N. Magill, ed., The Contemporary Literary Scene 1973 (Englewood Cliffs, NJ: Salem Press), pp. 25-30. [Reprinted in Younger Critics in North America (Fairwater, WI: Tom Montag/Margins, 1976), pp. 153-55.]
Keynote address, "The Coleman Symposium," Transcripts (Baltimore, MD: Maryland Writers Council), pp. 4-10.
"Language & Structure," Journal (Los Angeles Institute of Contemporary Art), 6 (June-July 1975), pp. 12-14. [Reprinted New York Arts Journal, I/2 (Sept.- Nov., 1976), pp. 13-14; and as "Writing Degree Zero," Language & Structure (Toronto: Kensington Arts, 1975), pp. 9, 10, 12, 22-24, 33, 39, 51, 60.]
"Moguls, Chieftans and Reviewers," The Third Press Review, I/1 (Sept.-Oct. 1975), pp. 16-17, 61-62.
"On Assembling," Margins, 21-22 (6/7, 1975), pp. 37-38.
"Paragraphs on Numbers," Ann Arbor Review, 21 (1975), pp. 53-54. [Reprinted Ear, I/7 (Dec.-Jan. 1975-76), p. 3; Nimrod, XXII/2 (Spring-Summer 1978), pp. 42-43.]
"Poetry in America," Writer's Digest, LV/12 (Dec. 1975), pp. 1, 15-18.
"Profile of Merce Cunningham," Michigan Quarterly Review, XIV/4 (Fall 1975), pp. 363-82.
"The Reinventor of English," Margins, 17 (2, 1975), pp. 37-43, 59. [Reprinted, Sonja Bahn, et al., eds., Forms of the American Imagination (Innsbruck: Amoe, 1979), pp. 85-97; abridged, American Writing Today, I (1982), pp. 37-49.]
"Self-Interview on Recyclings," Ear Magazine--New York, I/2 (May 1975), p. 6. [Reprinted, Margins, 24-26 (Dec. 1975), pp. 18-19.]
"A Theater of Performance, Not Literature," Dialogue, VII/2 (1975),
pp. 39-
47.
"Visual Poetry," Hiram Poetry Review, 19 (Fall-Winter 1975), pp. 4-5. [Reprinted, Rumors Dreams & Digressions, I/1 (Winter 1975-76), pp. 18-20; White Walls, I/1 (March 1977), pp. 33-35; Anyart Journal, IV/1 (Spring 1978), p. 47; T.F. Press, III (Spring 1978), pp. 4-6.]
"Why Sixth Assembling," Intermedia, 1/3 (Dec. 1975), pp. 4-5. [Reprinted, in part, Aspect, 67 (April-June 1976), pp. 77-79.]
INTERVIEWS:
Margins, 24-26 (Dec. 1975), pp. 14-29.
New Writers, III/1 (Dec. 1975), pp. 75-98.
REVIEWS:
Margins: Aram Saroyan's The Street (Jan. 1975); Frank Davey's From Here to There (5, 1975); The Fiction Collective's Statements (Dec. 1975) [the last reprinted in Open Letter (Spring 1976)].
Small Press Book Club: Arlene Zekowski's Seasons of the Mind & Stanley Berne's The Unconscious Victorious (Jan., 1975); Charles Henri Ford's Silver Flower Coo (Feb. 1975); Raymond Federman's Double or Nothing (May 1975); Murray Bookchin's Post-Scarcity Anarchism (Christmas 1975).
POETS:
"Anagogy" [second version], "Oscillate," Beyond Baroque,
VI/2 (March-April 1975), pp. 36-37.
"Anagogy," "Climb," "Disintegration," Intermedia, I/2 (June 1975), 3 pp.
"Autobiography," "I Articulations" "Light," "Oscillate," "Relationship," Rumor Dreams & Digressions (Winter 1975-76), pp. 21-25.
"Climb," Queen Street Magazine, II/1 (Sept. 1975), 1 p.
"Diffuse," "Fall-Rise," "Relationship," Glassworks, I/1 (Fall 1975), 3 pp.
"God-Dog," Lodgistiks, 3 (Jan. 1975), 1 p.
"Money," "Obverse," butt, I/1 (May 1975), pp. 30-31.
"[Portraits: D]," Transcripts (Baltimore, MD: Maryland Writers Council), 1 p.
"[Portraits:] L & +," Yellow Butterfly Broadside, 6 (1975).
"[Portraits:] P, Q, & R," Fault, 8 (Nov. 1975), 3 pp.
FICTIONS:
"Acquisitions," Peace & Pieces Review, II/1 (Spring-Summer 1975), 6 pp.
"Burgeon," "Introduction," George's Shadow (Northeast Juniper, 1975), pp. 41-49.
"Furthermore," Ann Arbor Review, 21 (1975), pp. 45-52.
"Genesis," Lynx, I/2 (Fall 1975), p. 3. [Reprinted, Back Roads, 8 (Fall 1976-Winter 1977), p. 52; The Sole Proprietor, I/3 (Winter 1977), p. 3; Dryad, 14-15 (1977); Montana Gothic, 6 (Fall 1977), p. 61.]
"Histories," Confrontation, 11 (Fall-Winter 1975), 1 p.
"Interconnections," Zahir, 7, II/1 (1975), p. 58.
"Openings & Closings [excerpts]," Chouteau Review, I/1 (Fall 1975), pp. 17-22. [Different excerpts, Eureka Review, I/1 (Winter 1975-76), pp. 74-80; Panache, 16-17 (1976), pp. 60-62.]
"Shrink," Panache, 15 (April 1975), pp. 54-60.
"Squares Squared," Clown War, 8 (1975), 8 pp.
IMAGINATIVE PROSE:
"And Future the Dada of Fiction (1968)," Kontexts, 6 & 7 (1975), 1 p.
"Declaration of Independence," Yardbird Reader, IV (1975), pp. 185-88. [Reprinted, Yardbird Lives (N.Y.: Grove, 1978), pp. 212-16; Intermedia, II/3 (179), pp. 42-43. Recorded, eight-track, Breathing Space (Watershed Tapes, 1977), 10:15.]
"Extremes the Two of Music Avant-Garde (1967)," "Man of Space (1967)," Out of Sight, 6 (1975), 2 pp.
"From Recyclings," Center, 7 (May 1975), pp. 51-54.
"Published Unpublished," Sixth Assembling, 1 p.
"Recyclings," Interstate, I/4 (1975), pp. 25-40 (even numbered pages only).
"Recyclings" (different selection), Ghost Dance (Spring-Summer 1975), pp. 7-16.
"Recyclings" (different selection), Brilliant Corners, I/2 (Winter 1975-76), pp. 34-53.
NUMERICAL ART:
"Numerical Meditation," in Studies for an Art Editor (N.Y.: Abrams), pp. 184-85.
"1024," "Leaps & Bounds," "Numerations," "Parallel Intervals," Chem Tech, V/5 (May 1975), pp. 320-21.
"Two Intervals," Vargen, 5, 1 p. [Reprinted, Visual Poetry Anthology/Anthologie visuele poëzie (Utrecht: T'Hoogt), 1 p.]
AUDIO ART:
Dialogue, Excelsior, Milestones in a Life, Plateaux, Recyclings, WXXI-FM (Rochester, NY, March), 41 min. As author, director, and principal performer. [Played in concerts at Hollins College, Oct. 1975; Arizona State, March 1976; West End Bar (N.Y.), Sept. 1976; and elsewhere. Published as a cassette, Assembling Press, 1976.]
Openings & Closings, WXXI-FM (Rochester, NY, July), 60 min. As author, director, and sole performer. [Played in concerts at Placenter (N.Y.), Sept. 1976; Anthology Film Archives, Dec. 1976.]
VIDEO ART:
Openings & Closings, Intermedia Foundation (Garnerville, NY), 10 min., as author and co-performer, directed by Shalom Gorewitz.
Openings & Closings, 60 min.; Three Prose Pieces, 30 min.; Synapse, Syracuse Univ., as author, director, and sole performer. [Exhibited in presentations at Anthology Film Archives, Dec. 1975; Arizona State Univ., March 1976; Indiana Univ., July 1976; etc.]
EXHIBITIONS:
"The Rhinoceros: A Demonstration of Visual & Audial Poetic Experimentation," De Young Memorial Museum, San Francisco, Jan. 25-26. Four-person show.
"Design for Lit," Maryland Writers Council, Baltimore, April 13-20.
"Numbers One," Washtenaw Community College, Ann Arbor, MI, April 14-23. One-person show.
"The First Post Card Show," Loeb Student Center, New York Univ., May 19-30.
"Internationale Visuele Poëzie," Gallery "de Doelen," Rotterdam, June 6-June 7; T'Hoogt, Utrecht, Netherlands, July 11-August 8; Van Gogh Museum, Amsterdam, Nov. 15-Dec. 15; Rijkscentrum voor hoger kunstonderwijs, Brussels, Belgium, Feb. 20-March 12, 1976.
"Latin American Art Problematic," Galerie S:T Petri/Institute of Art History, University of Lund, Sweden (Sept. 5-Oct. 5); Ecole Cantonale des Beaux-Arts et d'art applique, Lausanne, Switzerland, Nov.
"Language & Structure," Kensington Arts Alliance, Toronto, Nov. 1974; Southern Alberta Art Gallery, July 1975; George Washington Univ., DC, Dec. 1975.
"Visual Poems, Nonsyntactic Prose, Minimal Fiction, Numerical Art, etc.," Christopher P. Stephens Bookseller, Nov. 7-Jan 30 (1976). One-person show.
1976
BOOKS:
Younger Critics in North America. Fairwater, WI: Tom Montag/Margins, 205 pp. Edited, with an introduction and contributions.
CHAPBOOKS:
Numbers: Poems & Stories. Brooklyn: Assembling, 24 pp.
Rain Rains Rain. Brooklyn: Assembling, 24 cards.
REPRINTS IN BOOKS:
"Die," "Love," "Rain Rains Rain" (2), "Truth," "White-Black," "Metagenesis," in Fred Wolven, ed., Internal Weather (Ann Arbor, MI: Ann Arbor Review), pp. 78-88.
"Disintegration," "Degenerate," "Gosspi," in J. Jarab, ed., American Poetry and Poets of Four Centuries (C.S.S.R.: Olomouc), pp. 224-25.
"Notes on the American Short Story Today," in Charles E. May, ed., Short Story Theories (Athens, OH; Ohio Univ.), pp. 214-225.
"Un regard retro-prospectif sur William Burroughs," in Gerard-Georges Lemaire, ed., Colloque de Tanger (Paris: Christian Bourgois), pp, 141-45,
ESSAYS:
"From An ABC of Contemporary Reading," Poetry Australia, 59 (1976), pp. 33-40.
"Formy i funkcje amerykan'skiego establishmentu literackiego," Nowy wyaz, 49 (6/76), pp. 45-54.
"How To Be a Difficult Poet," New York Times Magazine (23 May 23 1976), pp. 18, 20, 22, 24, 26, 28, 30, 33. [Reprinted, America Illustrated, 248 (1977), pp. 39-42.]
"Jean-François Bory," Margins (1/2/3 1976), pp. 138-39.
"Language Art," Interstate, 9 (1976), pp. 54, 56, 58, 60, 62. [Reprinted, expanded, Vanguard, VII/6 (Sept. 1978), pp. 16-17; expanded further as "Writing Extended," Contemporary Poetry: A Journal of Criticism, IV/2 (1981), pp. 1-15.]
"Literary Video," Performing Arts Journal, I/1 (Spring 1976), pp. 62-65. [Reprinted, La Mamelle, I/3 (Winter 1976), p. 27; Margins (1/2/3 1976), pp. 39, 193; Intermedia, I/4 (Winter-Spring 1976), 1 p., Gregory Battcock, ed., New Artists Video (Dutton, 1978), pp. 40-42; Pinchpenny, with illustrations (1982), pp. 14-15; abridged, Beatniks from Space, # 4 (1983), 1 p.]
"Re 'Artists' Books,'" Art-Rite, 14 (Winter 1976-77), p. 9.
"Self-Profile (1969)," Stations, 3-4 (1976), pp. 113-18.
Statement in Guy Schraenen, ed., Text Sound Image: Small Press Festival (Antwerp, 1976), p. 22.
"The Younger Critics," Pacific Sun Literary Quarterly (Spring 1976), p. 5. [Reprinted, Contact II, I/1 (Jan.-Feb. 1977), pp. 18-20.]
REVIEWS:
Margins: Daniel Halprin, ed., The American Poetry Anthology (1/2/3 1976); Tom Phillips. Works. Texts. to 1974 (1/2/3 1976).
Small Press Book Club: Alain Arias-Misson's Confessions (3/76).
The Structurist: Joost Baljeu's Theo van Doesburg (15/16 1975/76)
AUDIOTAPES:
Experimental Prose. 40' cassette. N.Y.: Assembling.
FICTIONS:
"Flair," Waluna, I/1 (Winter 1976), pp. 110-116.
"Goods," "Counterpoints," "X & O," Stations, 3-4 (1976), pp. 53-76.
"Metagenesis," Soma-Haoma, 7 (1976), 5-image foldout.
"Modulations," Intermedia, I/4 (Winter-Spring 1976), one sheet.
"More Openings, More Closings," Story Quarterly, 2/3 (1976), pp. 80-83.
"Passage," Sun & Moon, I/2 (Spring 1976), pp. 75-85.
"Reflective Quadrants," Chicago Review, XXVIII/2 (Fall 1976), pp. 110-37.
IMAGINATIVE PROSE:
"Gould the Variations Glenn (1967)," "Criticism Within and Without the Theatre (1966)," E, I/2 (1976), 2 pp.
"Hallucinations the Salutary (1962)," "Mixed a Manner of Means (1966)," Intermedia, I/4 (Winter-Spring 1976), 1 p.
POEMS:
"Accumulate," "Elaborate," Poetry Australia, 59 (1976), pp. 40-41.
"Dialectical Theology," "Revolution in Physics," Gallimaufry, 7, pp. 32-33.
"Disintegration," "Climb," "Anagogy," "Radar," Intermedia, I/4 (Winter-Spring 1976).
"Radar (different version), Soma-Haoma, 7 (1976), 1 p.
Portraits from Memory (two), The Spirit That Moves Us, II/1 (Fall 1976), 2 pp.
Portraits from Memory (six), Contraband, 13 (August 1976), 6 pp.
Portraits from Memory (eight), Mati, 3 (1976), 8 pp.
Portraits from Memory (ten), Neoneo Dodo (Jan. 1976), 10 pp.
"Rain Rains Rain," Ann Arbor Review, 23 (1976), pp. 57-75.
"Yo-Yo," "A," Interstate, 8 (1976), pp. 55, 61.
NUMERICAL ART:
"Evolving," Membrane Press, poster
"Parallel Intervals," "1024," Interstate, 8 (1976), pp. 57, 62.
EXHIBITIONS:
"D'Arc Press," Prints on Prince St., New York, NY, Feb. 7-March 6.
"Concentric Poets," Henry Hicks Gallery, Brooklyn, NY, Feb. 21-March 4.
"Text Sound Image," Galerie Contakt, Antwerp, June; Galerie Posada, Brussels, Nov.; Academy, Ghent, Feb. 1977.
1977
BOOKS:
Illuminations. New York-Woodinville, WA: Future-Laughing Bear. 48 pp.
One Night Stood. N.Y., NY: Future. 24 pp. & 176 pp. (two different editions)
Seventh Assembling. Brooklyn, NY: Assembling. Co-compiled, with a preface and contributions. 424 pp.
Three Places in New Inkland (with two other authors). N.Y., NY: Zartscorp. 33 pp. (by RK)
CHAPBOOKS:
Prunings/Accruings. Geneva, Switzerland-N.Y., NY: Ecart-Future. 24 pp.
Numbers 2. Columbus, OH-N.Y., NY: Luna Bisonte-Future. 7 cards.
REPRINTS IN BOOKS:
"Climb," La Forma della Scrittura (Bolognia: Galleria d'arte Moderna), 1 p.
"Dick Higgins," "Robert Whitman," in Colin Naylor, ed., Contemporary Artists (London-N.Y., NY: St. James-St. Martin's, 1977), pp. 406, 1042. [Reprinted, second edition, 1983, pp. 407, 1008; third edition, 1989, pp. 419, 1025.]
"Manifestoes," Concrete Poetry (Univ. of Nevada at Reno), cover.
"Marshall McLuhan: High Priest of the Electronic Village," in Thomas H. Ohlgren, ed., The New Languages (Englewood Cliffs, NJ: Prentice-Hall), pp. 14-22.
"Modulations," in Walter Zanini, ed., Poeticas Visuals (Sao Paulo: Museu de Arte Contemporanea de Universidade de Sao Paulo), 1 p.
"Olympian Progress," in Bill Henderson, ed., The Pushcart Prize II (Pushcart, 1977), p. 456.
ESSAYS:
"An ABC of Contemporary Reading," Precisely: One, I/1 (November 1977), pp. 27-64. [Reprinted in Richard Kostelanetz, ed., Esthetics Contemporary (Buffalo, NY: Prometheus, 1978), pp. 339-76.]
"American Thinking About Government, 1945-65," Western Humanities Review, XXXI/4 (Autumn 1977), pp. 287-302.
"Audio Art," Soho Weekly News, IV/23 (10-16 March 1977), p. 21. [Reprinted, Ear, III/2 (March 1976), p. 4; Videation, I/1 (Spring 1977), 1 p.; Audio Art (Lucern, Switzerland: Apopos, 1978), 1 p.; Cumberland Journal, 9 (1980), 3 pp.]
"Book Art," Only Paper Today, IV/9 (December 1977), p. 1. [Reprinted, Laica Journal, 17 (Jan.-Feb. 1978), pp. 32-33; Mota, 16 (1978), pp. 57-58; "On Book-Art," Leonardo, XII (1979), pp. 43-44; Bulletin Maximal Art (Sept. 1979), 1 p.; in Swedish as "Bokkonst," Kalejdoskop, 1 & 2 (1980), pp. 10-14; with bibliography, Scree, 17-18 (1981), pp. 65-68.]
"Contemporary American Esthetics," Sun & Moon, I/4 (Fall 1977), pp. 126-45. [Reprinted in Richard Kostelanetz, ed., Esthetics Contemporary (Prometheus, 1978), pp. 19-35.]
"Contributors' Notes," Center, 10 (1977), p. 17.
"Dick Higgins," Centerfold, 9-10 (1977), p. 6.
"Dissecting the 20th Century [Hannah Arendt]," Dialogue, X/2 (1977), pp. 58-66. [Reprinted, expanded and revised, Free Inquiry, III/2 (Spring 1983), pp. 15-18.]
"Examples of My Visual Numerical Art," Leonardo, I (1977), pp. 39-41.
"'The End' Revisted," Proteus, 6/7 (Spring-Summer 1977), pp. 63-68.
"Gershom Scholem: The Mystics' Medium," Present Tense, IV/3 (Spring 1977), pp. 29-33.
"Letters from the Editors," Northwoods Journal, V/5 (Oct. 1978), pp. 15-18.
"The Literature Program at the National Endowment for the Arts," Seventh Assembling (1977), 6 pp. [Reprinted Laughing Bear Newsletter (1977), Northwoods Journal, 46 (Oct. 1977); abridged, The Newsletter, 10 (1977), 2 pp; in definitive version, Precisely: Two, I/2 (May 1978), pp. 15-23.]
"Making Music of the Sound of Words," New York Times (24 July 1977), 2 pp.
"New York Fair Highlights Growing Interest," Publishers Weekly (14 Nov. 1977), pp. 28-30.
"Notes on Grants," New York Arts Journal, 6 (Sept.-Nov., 1977), p. 37.
"On Numbers, a Series of Numerical Visual Poems," Visible Language, XI/2 (Spring 1977), pp. 50.
"Re Illuminations," American Poetry Review, IV/4 (1977), p. 20. [Abridged, American Book Review, I/1 (1977), p. 21.]
"Social Philosophy in America, 1945-65," Western Humanities Review, XXXI/3 (Summer 1977), pp. 193-205.
"The State Literary Presidium," The Newsletter, 11 (1977), 2 pp. [Reprinted, Precisely: Two, I/2 (May 1978), pp. 33-35.]
"Text-Sound Art," Performing Arts Journal, part I, II/2 (Fall 1977), pp. 61-70; part II, II/3 (Winter 1978), pp. 71-84.
"Trends in Criticism: North American Literary Criticism since the Forties," Boston University Journal, XXV/2 (1977), pp. 59-68.
"Well-Endowed Phantoms," SoHo Weekly News, IV/40 (7-13 July 1977), p. 14.
INTERVIEW:
Washington Review of the Arts, III/3 (Fall 1977), pp. 3-6.
"Morning Music," WBAI-FM, N. Y., NY, (Sept. 1977), repeated Dec. 1977, two hours.
REVIEWS:
The American Book Review: Buckminster Fuller's And It Came To Pass--Not To Stay (Dec. 1977).
New Republic: Allen Ginsberg's Journals: Early Fifties Early Sixties & Arthur & Kit Knight's The Beat Diary (22 Oct. 1977).
FICTIONS:
"And So Forth" [excerpt]," Clown War, 13 (1977), 3 pp.
"Foreshadowing," Interstate, 9 (1977), pp. 57-66.
"Impose," Blank Tape, I/1 (n.d.), 16 pp. [Reprinted, White Walls, 3 (Autumn 1979), pp. 35-49.]
"Intersections," Ann Arbor Review, 27 (1977), pp. 74-79.
"Replicate," Laughing Bear, I/2-3 (1977). [Reprinted, abridged, Glassworks, II/2-3 (Winter-Spring 1977), pp. 54-63.]
"Reversals," Fault (April 1977), 13 pp.
"Steps," New Letters, XLIV/2 (Winter 1977), pp. 69-84.
"Trajectory," Dumb Ox, 4 (Spring 1977), p. 21.
IMAGINATIVE PROSE:
"Addtract & Subtract," Laughing Bear, I/2-3 (1977), pp. 76-77. [Reprinted, Foothill Quarterly, II/2 (1977), pp. 22-23.]
"And Future the Dada of Fiction (1968)," Le Jardin du Monde, I/1 (Summer 1977), p. 42.
"Emancipation Proclamation," Mississippi Review, VI/1 (1977), pp. 80-86.
"Fiction European (1965)," "Cafe Albees Sad (1964)," "Art New the American (1965)," "Come to You'll Love Sperm Your Test (1965)," Dramatika, X/2 (Fall 1977), 2 pp.
"Machine Art (1971)," Fireweed, II/2 (Winter 1977), pp. 28-29.
"New in Poetries the America (1972)," X, I/1 (Summer 1977), pp. 5-6.
"Polemics Third about Assembling Ten (1972)," Mississippi Review, VI/1 (1977), pp. 158-59.
"Presses Small (1971)," "Hypotheses Twenty-Five Fictional (1971)," "Done Is To Be What (1971)," "New in Poetries the America (1972)," Primer, 3 (April 1977), pp. 40-45.
POEMS:
"Anagram," "Method," "Relationship," "Schwitters," American Book News, I/1 (1977), p. 15.
"Asphyxiation," American Poetry Review, VI/4 (1977), p. 20.
"Exit," Everyman-Poster (1977), 1 p.
Two palindroms, Images, IV/1, p. 3.
NUMERICAL ART:
"Amicables," "Diminutions," "Rates of Change," "Summations," "Fibonacci's Twenties," Criss-Cross Art Communication, I/5 (Sept. 1977), pp. 16-21.
"Combinations," Image Bank Postcard Show (Western Front 1977), 1 p. [Reprinted, The Fault, 14 (1978), 1 p.]
"Leaps & Bounds," Cabaret Voltaire, 2 (Fall 1977), 1 p.
"Parallel Intervallic Sets," Visible Language, XI/2 (Spring 1977), p. 51.
"Two Intervals," Vargen (n.d.), 1 p.
EXHIBITIONS:
"Art with Words," Kathryn Markel Gallery, New York, Jan.-Feb.
"La Forma della scrittura," Galleria d'arte moderna, Bologna, Italy, Feb.
"Seventh International Open Encounter on Video," Fundacio Joan Miro, Barcelona, Feb.
One Person Show, William S. Carlson Library, Univ. of Toledo, April-May.
"Concrete Poetry," Church Fine Arts Gallery, Univ. of Nevada at Reno, 13 April-27 April.
"The Artist's Book," Mandeville Art Gallery, Univ. of Calif.--San Diego, 18 April-15 May.
"Visual Poetry," Dubois Gallery, Lehigh Univ., 8 May-4 June.
Three-person show, Bertha Urdang Gallery, N. Y., NY, June.
"Visual Poetry," Art Research Center, Kansas City, MO, 1 May-31 July.
"The First International Film Festival," Galeria Adres, Lodz, Poland, Sept.
"Poeticas Visuais," Museu de Arte Contemporanea, Universidade de Sao Paulo, 29 Sept.-30 Oct.
"Space Window-Mail Art," Market House, Rhode Island School of Design, Sept.-Oct.
"The Seventies," Escuela de Artes Plasticas, Universidad de Costa Rica, Oct. 1977: Museo Universitario de ciencias y arte, Mexico, Nov. 1977.
1978
BOOKS:
Constructs Two. Milwaukee, WI: Membrane. 80 pp.
Inexistences. N.Y.: RK Editions. 667 pp.
Tabula Rasa. N.Y.: RK Editions. 1000 pp.
Wordsand. Vancouver, BC: The Simon Fraser Gallery, in cooperation with RK Editions. 92 pp.
Assembling Assembling. Brooklyn, NY: Assembling Press. Edited, with an introduction and contributions. 96 pp.
Esthetics Contemporary. Buffalo, NY: Prometheus. Edited, with an introduction and a contribution. 444 pp.
Eighth A-J Assembling. Brooklyn, NY: Assembling. Cocompiled, with an introduction. 184 pp.
Eighth K-Z Assembling. Brooklyn, NY: Assembling. Cocompiled, with an introduction and a contribution. 180 pp.
CHAPBOOKS:
Foreshortenings and Other Stories. Berkeley, CA: Tuumba. 28 pp.
Grants & the Future of Literature. N.Y.: RK Editions. 60.
REPRINTS IN BOOKS:
"Concentric," "Tributes to Henry Ford," in Nancy Sullivan, ed., A Treasury of American Poetry (Doubleday, 1978), pp. 803-04.
"The East Village [excerpt]," in Jerome Rothenberg, ed., A Big Jewish Book (Doubleday, 1978), p. 349.
"Extrapolate," in George Myers, Jr., ed., The World Anthology (X, 1978), 23 pp.
"Fifth Street/First-Second Avenue," in Klaus Groh, ed., A View Out My Window (Edewecht, Germany: International Artists Cooperation), 1 p.
"Me," "Truth," in Poesia e prose delle avantguardia (Verona: Museo de Castelvecchio, 1978), 2 pp.
"Milestones in a Life," America en la Mira [America at a Glance] (Mexico City: Frente Mexicano de Grupos Trabajadores de la Cultura), p. 152.
"Plus/Minus, I-III," in Michael Gibbs, ed., Deciphering America (Amsterdam: Kontexts), pp. 40-44.
ESSAYS:
"Alan Hovhaness Does Things Differently," New York Times, D2 (18 Nov. 1978), pp. 27, 38. [Expanded, in Russian, Ameryka, 254 (Jan. 1978), pp. 21-24; in English, "The Transcendental Contemporary," Michigan Quarterly Review, XVIII/3 (Summer 1979), pp. 365-378.]
"American Architecture, 1945-65," Bennington Review, I/1 (April 1978).
"The Application Obstacle," Precisely: Two, I/2 (May 1978), pp. 48-49.
"Arts Councils & Literary Grants," Precisely: Two, I/2 (May 1978), pp. 3-13.
"Autochronology," "Life-Story," "Self-Portrait," First Person Intense--Rockbottom, 7 & 8 (1978), pp. 151-56.
"Contemporary Painting in America," Span, XIX/2 (Feb. 1978), pp. 12-17.
"The Copyright Czar," The New Art Examiner (Feb. 1978), p. 11. [Reprinted, Confrontation (Fall-Winter 1979), pp. 177-79.]
"Creative Writing," Interface Journal, 5 (Spring 1978), pp. 21-22. [Reprinted, Aspect, 72/73 (July-Dec. 1978), pp. 93-95; The Aspect Anthology (Somerville, MA: Zephur Press, 1981), pp. 131-33.]
"The Five Careers of Rene Dubos," Span, XIX/7 (July 1978), pp. 28-31. [Reprinted, Michigan Quarterly Review, XIX/1 (Spring 1980), pp. 194-202.]
"A Generation of Panderers," Laughing Bear Newsletter, 14 (1978), pp. 1-2. [Reprinted, Precisely: Two, I/2 (May 1978), p. 13.]
"Introduction ['The Undergraduate Literary Magazine']," Spindrift, XVI (1978), p. 6.
"Jerome Rothenberg," New York Arts Journal, 10 (July-August 1978), pp. 28-29.
"The Literature Professsors' Literature Professor [Northrop Frye]," Michigan Quarterly Review, XVII/4 (Fall 1978), pp. 425-42.
"The National Endowment for the Inhumanities," College English, XXXIX/5 (January 1978), pp. 595-602.
"The Next Assembling," Precisely: Two, I/2 (May 1978), pp. 24-26.
"Notes on CCLM," Hyperion, VI/1-4 (March 1978), pp. 192-93. [Reprinted, Precisely: Two, I/2 (May 1978), pp. 50-52.]
"NYSCA Again," Eighth K-Z Assembling (1978), 4 pp. [Reprinted, Intermedia, II/3 (1979), pp. 87-90.]
"The NYSCA Lit Panel," Precisely: Two, I/2 (May 1978), pp. 37-47.
"NYSCA--Literature," Northeast Rising Sun, II/10-III/11 (1978), pp. 21-23. [Reprinted, Precisely: Two, I/2 (May 1978), pp. 27-32.]
"Rigging the Grants Jury," The Independent, 0/2 (Nov. 1978), pp. 1, 3.
"Robert Wilson: A Comprehensive Profile of the Man and His Works," Texas Arts Journal, 2-4 (1978), pp. 63-77.
INTERVIEW:
"In Conversation," Blank Tape, 2 (1978), 3 pp.
REVIEWS:
New York Arts Journal: Mitchell S. Ross's The Literary Politicians (April-May 1978).
New York Times Book Review: Collected Poems of Thomas Merton (5 Feb. 1978), Barry Gifford and Lawrence Lee's Jack's Book (31 Dec. 1978).
FICTIONS:
"And So Forth [excerpts]," Blank Tape, 2 (1978), 2 pp.
"And So Forth [excerpts]," Brilliant Corners, 9 (Summer 1978), pp. 44-53.
"And So Forth [excerpts]," Lightworks, 8 (1978), pp. 14-16.
"Flip," So and So (Fall 1978), 3 pp.
"Metamorphosis," T. F. Press, III (Spring 1978), p. 8.
"Recapitulate," Laughing Bear, 6 (1978), pp. 34-40.
"Retreat-Retire," Laughing Bear, 6 (1978), pp. 1-13.
IMAGINATIVE PROSE:
"Absurd the American Novel," New Orleans Review, VI/1 (1978), p. 77.
"Assembling Why," in Michael Slater, ed., The Big House (N.Y.: Ailanthus Press), p. 46.
"Junkies and All That Jazz," HooDoo, 6 1/2 (1978), p. 106.
"Means Events Theatrical in Mixed," X, 4 91978), 2 pp.
"Recyclings," Artzone, I/1 (1978), 5 pp.
"Recyclings," Intrepid, 36-38 (1978), pp. 35-39.
PHOTOGRAPHS:
"Reincarnations [four images]," Camera 35, XXIII/4 (May 1978), pp. 10-11.
"Reincarnations [four images]," Interstate, 10/11 (1978), pp. 72-77.
"Reincarnations [four images]," New York Arts Journal, 12 (Nov.-Dec. 1978), pp. 24, 26.
"Reincarnations [four images]," +/O, 21 (1978), pp. 60-61.
POEMS:
"Abracadabra," Abracadabra, 3 (1978), 1 p.
"Anagram," "Benedictine," "Oscillate," "Parallel Diagonals," "Womb," After-Image (1978), pp. 13-16.
"Conjugal Love," Poets On, II/1 (Winter 1978), p. 29. [Reprinted, Goethe's Notes, 6 (1978), cover.]
"Degenerate," "Explosion," "Relationships," T. F. Press, III (Spring 1978), 4 pp.
"Diverse-Obverse," "Illuminations," "R. Kostelanetz," Aura, 8 (Spring 1978), pp. 49-50.
"Hat," & replies to a questionnaire, Milk Quarterly (1978), pp. 35, 108.
"Hiroshima," "Radar," "Wings," El Coqui, 2 (May 1978), pp. 47-49.
"Illuminations," "Structure," White Walls, I/2 (March 1978), pp. 36-37.
"Richard Kostelanetz," Catalogue to Black on White (Segovia, Spain: La Casa del Siglo XV, 1978), 1 p.
"RKostelanetz," Rubberstampsdesigns (Amsterdam, 1978), 1 p.
NUMERICAL ART:
"Fun," Artists' Stamp Sheet (Smith College, 1978), 1 p.
"Memories," Typewriter, 9 (1978), 1 p.
"Olympian Progress," "Short Fictions," Nimrod, XXII/1 (Spring-Summer 1978), pp. 44-45.
"Slumping," Cabevolt, 5 (Fall 1978), 1 p.
"1024," Panache, 19 (1978), pp. 38-39.
AUDIOTAPES:
Audio Art (N.Y.: RK Editions), 90' cassette, 10" reel.
Foreshortenings & Other Stories (N.Y.: RK Editions), 60' cassette.
Monotapes (N.Y.: RK Editions), 42' cassette.
Openings & Closings (N.Y.: RK Editions), 60' cassette.
"Dialogue," "Milestones in a Life," "Plateaux," "Recyclings," "Self-Interview," in The Energy Circus (Washington, DC: National Public Radio), 90' cassette.
HOLOGRAMS:
On Holography. N.Y.: Cabin Creek Center for Work and Environmental Studies--RK Editions. 360 degree Integral White Light Hologram, with accompanying 90' stereo audiotape cassette.
EXHIBITIONS:
"Wordsand." Comprehensive one-person, with book-art books, prints, audiotapes, videotapes and films. Simon Fraser Gallery, Simon Fraser Univ., Burnaby, BC (10-29 Sept.)
"Book Art." One-person. PS 1, Long Island City, NY (Jan.); Tulsa Central Library (April).
"Literary Video Tapes." One-person. Video Gallery, McKissick Museum, Univ. of South Carolina (27 Nov.-14 Jan. 1979).
"Dissonance & Harmony," Cork Room, Avery Fisher Hall, N. Y., NY (4-17 Jan.); Westminster College Art Gallery, New Wilmington, PA (6 Feb.-1 March).
"Artists' Stamps," Hillyer Hall Art Gallery, Smith College (Feb.).
"Artwords and Bookworks," Los Angeles Institute of Contemporary Art (Feb.- March) and elsewhere.
"The Sorcerer's Apprentice--Machine-Assisted Art," Pace Univ., N.Y. (12 May-14 June)
"Post-Card Size Art," Arte-Fiera--O.I.A. (June).
"ISBN: 0:000.0 LCN: 78:0000," Franklin Furnace (Oct.).
"The Robin Crozier Blue Show," Gallkeri Sudurgata 7, Reykjavik, Iceland (Oct.).
"1st International Mail Art Show," Gallery 300, St. John's Univ., Staten Island, NY (16 Oct.-3 Nov.)
"As We See It," Museum of Holography, N.Y., NY (December 1978-April 1979)
1979
BOOKS:
Twenties in the Sixties. Westport, CT: Greenwood; Brooklyn, NY: Assembling; Globe, NSW, Australia: Wild & Woolley. 336 pp.
"The End" Appendix/"The End" Essentials. Metuchen, NJ: Scarecrow; Brooklyn, NY: Assembling. 256 pp.
And So Forth. NY: Future. 212 pp.
Exhaustive Parallel Intervals. NY: Future. 160 pp.
A Critical Assembling. Brooklyn, NY: Assembling. 336 pp. Compiled, with an introduction.
REPRINTS IN BOOKS:
"Climb," in Adriano Spatola & Giovanni Fontana, eds., Oggi Poesia Domani (Firenze, Italy: Tamtam & Dismasura), 1 p.
"From Fibonacci," "Mirror," in Ernest Robson & Jet Wimp, eds., Against Infinity (Parker Ford, PA: Primary Press), pp. 30-31.
ESSAYS:
"Autochronology," in Angelika Schmidt., ed., "Artists Report" Mail Art (Stuttgart Kunstlerhaus, 1979), 1 p. [Reprinted, Interstate, 15 (1982), p. 10. Delfin, V (Sept. 1985), p. 90.]
"CCLM Grants," The Independent, I/1 (Jan. 1979), pp. 3-6. [Reprinted, Stony Hills, 4 (1979), pp. 8-10.]
"Genealogy," Happiness Holding Tank, 19 (1979), 1 p.
"Gimmicks," Unmuzzled Ox, IV/4-V (1979), pp. 115-17.
"Influential Books," Interstate, 12 (1979), pp. 123-25.
"Life-Story," Everyman (1979), 2 pp.
"Logs," Happiness Holding Tank, 19 (1979), 4 pp.
"Lost Passages from Literary Politics in America," The Independent, I/3-4 (1979), pp. 7-12.
"On Holography," New Orleans Review, VI/3 (1979), pp. 272-74. [Reprinted, abridged, SoHo Weekly News (March 1979), 1 p.; Leonardo, XIII (1980), pp. 40-41.]
"Tribu letteraire in America," Spirali, 6 (Giugno, 1979), p. 42.
Untitled record jacket note, John Cage: Etudes Australes for Piano (Tomato 2-1101), 2 pp. [Reprinted, Wergo 60152-55 (1987), 2 pp.]
"Why A Critical Assembling," The Independent, I/3-4 (1979), pp. 34-37.
INTERVIEWS:
"Art in the Culture," (with John Cage and Richard Foreman), Performing Arts Journal, IV/1-2 (1979), pp. 70-84. [Reprinted, in German translation, in Theatre Heute, 1/1980, pp. 20-24.]
REVIEWS:
American Book Review: Daryl Hine and Joseph Parisi's The Poetry Anthology (March-April 1979).
New York Times Book Review: John Cage's Empty Words (2 Dec. 1979).
FICTIONS:
"And So Forth [excerpts]," Not Guilty (1979), pp. 48-52.
"Epiphanies," New York Arts Journal, 15 (Sept. 1978), p. 13.
"Epiphanies [a different selection]," Northwest Review, XVIII/2 (1979), pp. 6-7.
POEMS:
"Paroles/Vibrations/Vecteurs/Poems," "Flet/Flemme/Fleuve/Flegme," Poèsie, U.S. A., III/2 (Winter 1979), 18-19.
"Richard Kostelanetz," Not Guilty (1979), p. 53.
"Cellophane," "Sweep," Everyman (1979), 3 pp.
IMAGINATIVE PROSE:
"Conspand-Extract," Gegenschien, 16-17-18 (1978), 17 pp.
"Plus/Minus XXIX," The Westbere Review, II/3 (Fall 1979), p. 21.
PHOTOGRAPHS:
"Reincarnations," Uroboros, 4 (1979), pp. 52-56.
VIDEO ART:
Declaration of Independence, produced at KENW-ETV (Portales, NY), 9 min.
EXHIBITIONS:
"Art as Revolt of Culture," Gallery Maximal Art, Poznan, Poland (August 1979).
"Doc(k)s Post Card," Galerie Lara Vincy, Paris (Feb.-March 1979).
"Films and Videotapes," Global Village, New York (30 March 1979). One-person show.
"High Plastic 'n Poetry," Trinity House, Austin, TX (Feb. 1979).
"Numbers," Galleria 'Nuova' 13, Alessandra, Italy (July-Sept. 1979).
"Rassegna internagionale di poesia visuale e fonetica," Biblioteca Communale, Frosinone, Italy (Sept. 1980).
"The Route 66 Postal Art Show," Downtown Center for the Arts, Albuquerque, NH (Feb.-March 1979).
"Rubberstamp Art," A propos, Luzern, Switzerland (June, 1979).
1980
BOOKS:
Metamorphosis in the Arts. Brooklyn, NY: Assembling. 323 pp.
More Short Fictions. Brooklyn, NY: Assembling. 192 pp.
Text-Sound Texts. N.Y., NY: William Morrow. 441 pp. Edited, with an introduction and contributions.
Visual Literature Criticism. Carbondale: Southern Illinois University Press. 192 pp. Edited, with a preface and a contribution.
Scenarios. Brooklyn, NY: Assembling. 704 pp. Edited, with a preface and a contribution.
The Yale Gertrude Stein. New Haven, CT: Yale University Press. 464 pp. Edited, with an introduction.
CHAPBOOKS:
Turfs/Arenas/Fields/Pitches. Battle Ground, IN: High/Coo. 20 pp.
REPRINTS IN BOOKS:
Selected poems, in Michael Joseph Phillips, ed., 4 Major Visual Poets (Indianapolis: Free University Press), 36 pp.
"Art Autobiography [excerpt]," "Numerical Art," in Hans Breder & Stephen C. Foster, eds., Intermedia (Iowa City: Corroboree--the University of Iowa), pp. 113-16.
"Time and Space Concepts in Music and Visual Art [transcribed symposium, with others]," in Marilyn Bedford & Jerry Herman, eds., Time and Space Concepts in Art (N.Y., NY: Pleiades Gallery), pp. 2-25.
"Book Art Dummy," in Sarenco, ed., Liber (Verona, Italy: Factotum Art), 2 pp.
"Bowdlerize," "Enclosure," "Trial by Jury," "Black-White," in Willard R. Espy, ed., Another Almanac of Words at Play (N.Y., NY: Clarkson N. Potter), pp. 28, 200.
ESSAYS:
"A Happy Publisher," New York Times Book Review (13 July 1980), pp. 7, 28-29.
"A Profile of Amos Oz," Present Tense, VII/2 (Winter 1980), pp. 48-53.
"An ABC of Contemporary Reading [excerpts from a revised version]," Chouteau Review, IV/1 (1980), pp. 35-43.
"Again NYSCA Again," Format, II/5 (January 1980), pp. 7-10.
"The Artistic Explosion," in David Wallechensky, et al, The Book of Predictions (N.Y., NY: Morrow), pp. 246-47.
"Avant-Garde," National Forum, LX/4 (Fall 1980), 16-19.
"Cage History," SoHo Weekly News, VII/18 (31 Jan.-6 Feb. 1980).
"Don Celender," New York Arts Journal, 18 (1980), pp. 27-28.
"Foreword" to Michael Joseph Phillips, Selected Love Poems (Indianapolis: Hackett), pp. xi-xii.
"Insidious Intermediaries," The Smudge, 7 (Spring 1980), pp. 22-23. [Reprinted, A Critical Assembling (Brooklyn, NY: Assembling, 1979), 2 pp.]
"John Cage in Conversation with Richard Kostelanetz, Mostly About Writing," New York Arts Journal (1980), pp. 17-22.
"1970-79," in Melody Sumner, ed., 1970-79 (Oakland, CA: Burning Books), 1 p.
"Published/Unpublished [new version]," Tenth Assembling (1980), 2 pp.
"Self-Publishing II," Writer's Newsletter, IV/1 (Summer 1980), pp. 15-20.
REVIEWS:
American Book Review: Edward Field's A Geography of Poets (May-June 1980). Michael Straight's Twigs for an Eagle's Nest (Nov.-Dec. 1980).
New York Arts Journal: Daniel Hoffman's The Harvard Guide to Contemporary American Writing (# 17). [Reprinted, PN Review, 17 (1980).]
FICTION:
"Cooking," "Researching," "Sunning," River Stix, 6 (1980), pp. 56-58.
"Epiphanies," Lost and Found Times, 9 (Nov. 1980), 1 p.
"Epiphanies [a different selection]," Gargoyle, 15/16 (1980), p.
45 (a two-
page pull-out).
"Plus/Minus," Pulp, VI/2 (1980), p. 4.
"Seductions," Benzene, I/1 (Autumn 1980), pp. 12-15.
POEMS:
"Distant/Diameter/Polar/Antipodes," "Farts/Gurgling/Spices/Beans," "Abstinence|/Seclusion/Narcissism/Sobriety," "Ally/Partner/Friend/Clove," Antenna, V/1 (Summer 1980).
"Flet/Flemme/Fleuve/Flegme," & ten other poems in French, Enclitic, IV/1 (Spring 1980), pp. 4-15. [Reprinted, in part, Doc(k)s, 35 (1980), folios 207-11.)
"Stringfour," Osiris, 11 (1980), p. 12.
IMAGINATIVE PROSE:
"Reunion," Invisible City, 26-27 (August 1980), 1 p.
THEATRICAL PERFORMANCES:
Epiphanies, directed by Suzanne Bennett, University of North Dakota (March 19, 1980)
EXHIBITIONS:
Wordsand (solo multimedia retrospective), Univ. of North Dakota (March 17-April 11); California State Univ.--Bakersfield (April-May); Miami Dade Community College (October 29-November 14), Cornell College, Iowa (Dec. 9-Jan. 18, 1981).
"Reincarnations" (solo photographs), Micro Gallery, San Jose, CA (May 2-23).
"Directions for Use," Stempelplaats, Amsterdam (Jan.-April).
"Eccentric Images," Converse Gallery, Spartanburg, SC (March-April).
"Tourism, A Show on Travel," Heller Gallery, Univ. of California, Berkeley (Oct. 5-Nov. 2).
"Visual Poetry," Union Gallery, San Jose State University, California (March-April 1980).
"Vom Ausseher der Worter," Kunstmuseum Hannover (Nov.-Dec. 1980).
1981
BOOKS:
Autobiographies. Santa Barbara, CA: Mudborn--N.Y., NY: Future. 283 pp.
The Old Poetries and the New. Ann Arbor: University of Michigan Press. 316 pp.
Aural Literature Criticism [Precisely 10 11 12]. N.Y., NY: Precisely--R.K. Editions. Edited, with a preface, a bibliography and a contribution. 192 pp.
REPRINTS IN BOOKS & ON AUDIOTAPE:
"Art History," in Peter Jorg Splettstosser, International Stempel Workshop (International Rubberstamp Workshop, 1981), 1 p.
"Autochronology," in Walter Zanini, ed., XVI Bienal de Sao Paulo (Sao Paulo,), 1 p.
"Epiphanies," in Vicki Hudspith & Madeline Keller, eds., Knock Knock (N.Y., NY: Bench Press), pp. 64-65.
"Epiphanies [a different selection]," in Ron Kolm, ed., The Low-Tech Manual (N.Y., NY: Low-Tech Press), pp. 28-30.
"Epiphanies [a different selection]," in James F. L. Carroll, ed., In and Out of Kutztown (Kutztown, PA: Kutztown State College), 4 pp.
"Fissure," in La Exposicao International de Art-Door (Recife, Brazil), p. 75.
"One Night Stood," in Gary Richman, ed., Re: Pages (Kingston, RI: Hera Educational Foundation), p. 37.
"Plateaux," in Rod Summers, ed., Ulises' Dog (Maastricht: Vec Audio Exchange), 2:50"
"Two Tonal Composers," in Gregory Battcock, ed., Breaking the Sound Barrier (N.Y., NY: Dutton), pp. 284-99.
"Tributes to Henry Ford," in Eunice Boardman, et al, The Music Book (Holt, 1981), pp. xix-xx.
AUDIOTAPES BROADCAST:
Invocations, 61' (Berlin, BRD: Sender Freies Berlin), as author & director. [Rebroadcast, Hilversum, Holland: KRO; Sydney: Australian Broadcasting; Belgrade: Yugoslav Radio; Toronto: CBC; and local American stations.]
Seductions, 24' 46", as author and director, over WBAI, New York, NY.
ESSAYS:
"A Mind That Cannot Stop Exploding [Kenneth Burke]," New York Times Book Review (17 March 1981), pp. 11, 24-26. [Reprinted, American Writing Today (Voice of America Forum Series, 1982), I, pp. 91-99.]
"A Tomato That Turned into a Lemon," Artworkers News (Jan. 1981), p. 25.
"B.B. King of the Blues," Horizon, XXIV/9 (Sept. 1981), pp. 26-31.
Contribution to "The Classics of Secular Humanism," Free Inquiry, I/2 (Summer 1981), p. 37.
"Fuck You, Just Try To Sue Us," Home Planet News, II/4 (Summer 1981), pp. 3, 16-17; II/1 (1981), pp. 3-4.
"Introduction [to Richard Grayson's Disjointed Fictions]," Cumberland Journal, 15 (1981), pp. 4-5.
"Jack Kerouac," New York Arts Journal, 21 (1981), pp. 21-23.
"Kinds of Power," Format, III/6 (Spring 1981), pp. 33.
"Text-Sound in North America: Further Notes," Precisely: Ten Eleven Twelve (1981), pp. 17-38.
"The Special Sound of German Radio," New York Times (13 Dec. 1981), pp. 33.
"The Ultimate Prize," New York Times Book Review (27 Sept. 1981),
pp. 3, 31-
32.
CONVERSATIONS:
"Literature in Languages other than English" (with Josef Brodsky, Raymond Federman, Jose Ferater-Mora), New York Arts Journal, 24 (Dec. 1981), pp. 23-30. [Reprinted, American Writing Today (Voice of America Forum Series, 1982), II, pp. 103-127.]
"A Symposium on Text-Sound" (with Charles Dodge, Bliem Kern, Jackson Mac Low), Precisely: Ten Eleven Twelve (1981), pp. 143-60.
REVIEWS:
The New York Times Book Review: Ezra Pound and the Visual Arts (18 Jan. 1981).
POEMS:
From "Turfs/Arenas/Fields/Pitches," Artifact, I/1 (Spring 1981), 2 pp.
From "Turfs/Arenas/Fields/Pitches," Seneca Review, XI/2 (1981), pp. 27-31.
"Gibberish," Poets On, V/1 (Winter 1981), p. 20.
"Grounds, etc.," Hot Water Review, 4 (1981), pp. 52-57.
Portraits from Memory, Look Quick, 9 (1981), 1 p.
"Sun/Exposure/Sweat/Dreaming," Thirst, 2 (1981), 1 p.
"Stringsix....," Poesie, U.S.A., IV/3-4 (Spring-Summer 1981), p. 19.
"Turfs/Arenas/Fields/Pitches," Taide 1 (Gennaiola Prile, 1981), p. 33.
"Turfs/Arenas/Fields/Pitches; Revenge/Anger/Violence/Satisfaction; Sun/Exposure/|Dreaming/Sweat; Intelligence/Analysis/Agility/Deception; Control/Forebearance/|Masochism/Toleration; Technologies/Extensions/Ingenuity/Power; Language/Connotations/Pointillism/Essence; Music/Literature/Immortality/Painting; Night/|Crickets/Apprehension/Surprise; Foreplay/Readiness/Exploration/Yearning," O.ars, I (1981), pp. 77-90
FICTIONS:
"And So Forth," Mississippi Mud, 23 (Spring 1981), pp. 22-29.
"Centering," "Intersections," Total Abandon, 7 (1981), pp. 19-22.
"Epiphanies," Confrontation, 22 (Summer 1981), p. 42.
"Epiphanies," Gnome Baker, VII & VIII (Spring 1981), 11 pp.
"Epiphanies," Milkweed Chronicle, II/1 (Winter 1981), pp. 24-25.
"Epiphanies," Mississippi Review, IX/3 (27, Winter 1981), pp. 80-84.
"Epiphanies," Portland Review, XXVII/1 (Fall/Winter Quarter 1981), pp. 28-29.
"Epiphanies," Street Bagel, 15, 1 p.
"Extrapolate," Criss-Cross, 11/12 (March 1981), pp. 34-35.
Four Circular Stories, North American Review, CCLXVI/1 (March 1981), p. 52.
"Openings & Closings [excerpts]," Maelstrom Review, 18/19 (1981), pp. 59-60.
"Openings & Closings [another selection]," The South Carolina Review, XIII/1 (Fall 1981), pp. 36-48.
"Recircuit," Xanadu, 7 (1981), 39-44.
NUMERICAL ART:
"Metamorphosis," Benzene, 3 (Summer-Fall 1981), 1 p.
EXPERIMENTAL PROSE:
"Assembling Why (1973)," O.ars, 1 (1981), p. 29.
Excerpts from Recyclings, with performance instructions, Zone, 7 (Spring-Summer 1981), p. 40.
PHOTOGRAPHS:
"Recall [excerpt]," Invisible City, 28 (Dec. 1981), p. 12.
"Reincarnations," Scree, 19-21 (1981), pp. 133-137.
THEATRICAL PERFORMANCES:
Epiphanies, directed by Elizabeth St. John Villard, Vassar College (October 1991)
EXHIBITIONS:
"Wordsand [solo]," Vassar College, Poukeepsie, NY (Oct.-Nov. 1981).
"A Contemporary Artists' Book Exhibition," Philadelphia Arts Alliance; Southern Alleghenies Museum of Art (May-Oct. 1981).
"Book Show," Zone, Springfield, MA (Sept. 1981).
"First International Art-Door Exhibition," Recife, Brazil (1981).
"Kunstlerbucher," Frankfurt Kunstverein (Oct. 1981).
"Libres d'artista/Artist's Books," Metronom, Barcelona, Spain (Oct.-Nov. 1981).
"Rigors," The Patrick Gallery, Austin, TX (May-June 1981).
1982
BOOKS:
American Writing Today. Washington, DC: Voice of America Forum Series. Two Volumes. 339 pp. & 318 pp. Edited, with an introduction and several contributions. [Reprinted, abridged, in Portuguese: Viagem a Literatura Americana Contemporanea (Rio de Janiero: Editorial Nordica, 1985), 517 pp.]
Pilot Proposals. Brooklyn, NY: Assembling. 96 pp. Co-compiled, with a preface and a contribution.
Turfs/Arenas/Fields/Pitches. Kansas City, MO: Bookmark--Univ. of Missouri. 64 pp.
SPECIAL ISSUES OF LITERARY MAGAZINES:
"The Literature of SoHo," Shantih, IV/3-4 (Winter-Spring 1982), 128 pp. Edited, with an introduction and contributions.
"The Poetics of the New Poetries," Precisely: 13 14 15 16/Poetics Today (Summer 1982). 239 pp. Co-edited, with a contribution.
AUDIOTAPES:
Die Evangelien, 60' (Köln, BRD: Westdeutscher Rundfunk), as author & producer. [Reproduced in English, 120', as The Gospels, which has been broadcast over local stations in the US and Canada.]
REPRINTS IN BOOKS:
"Avant-Garde," in Donald Hall, ed., Claims for Poetry (Ann Arbor: Univ. of Michigan), pp. 238-249.
"Disintegration," in X. J. Kennedy, An Introduction to Poetry, Fifth Edition (Boston: Little, Brown), p. 202.
"Fun," in V. Bakhchanyan, et al, eds., Collective Farm No. 3 (NY), 1 p.
"Lollipop," in Willard R. Espy, ed., A Children's Almanac of Words at Play (NY: Potter), p. 216.
"Manifestoes," in Brend Olbrich, ed., Rubberstamp Show (Kassel, Germany), 1 p.
"Manifestoes," Poesia Experimental, Ara (Valencia), p. 9.
"Plus/Minus," in Arkady Rovner, et al, eds., Gnosis Anthology (NY: Gnosis), pp. 152-55.
"Portraits from Memory [two]," in Morty Sklar, ed., The Spirit That Moves Us Reader (Iowa City: The Spirit That Moves Us), pp. 15-16.
CONVERSATIONS:
"Book Art" (with Jamake Highwater, Lucy Lippard & Paul Zelevansky), American Writing Today, II, pp. 293-303.
"Literary Criticism" (with Ihab Hassan, Jerome Klinkowitz & John Simon), in American Writing Today, II, pp. 1-21.
"Literary Translation" (with Guy Daniels, Charles Doria, Barbara Stoler Miller and Robert Payne), American Writing Today, II, 173-197.
"Short Story Writing" (with Stephen Dixon, Carol Emshwiller, Kenneth Gangemi, & Richard Grayson), in Gargoyle, 20/21 ("Fiction 82"), pp. 420-448.
"Talking [with John Cage] about Writings through Finnegans Wake, Tri-Quarterly, 54 (Spring 1982), pp. 208-216. [Reprinted, in Peter Gena & Jonathan Brent, eds., A John Cage Reader (NY: C. F. Peters), pp. 142-50.]
"Visual Poetry" (with Alain Arias-Misson, Tom Ockerse & Mary Ellen Solt), American Writing Today, II, 225-49.
"Writing and Performance" (with Richard Foreman, Robert Wilson & Linda Mussmann), New York Arts Journal, 25-26 (1982), pp. 4-9.
ESSAYS:
"ABC of Contemporary Reading [revised version]," Poetics Today/Precisely: 13 14 15 16 (Spring 1982), pp. 5-46.
"Bibliography," with Jerome Klinkowitz, American Writing Today, II, pp. 305-318.
Contribution to "On Art, Money and Power," MC:2 (1982), 1 p.
"Cunningham [Merce] Revisited," Dance Magazine, LVI/7 (July 1982), pp. 56-59.
"Film (1977)," with illustrations, Red Hand Book II (1982), pp. 86-88.
"Introduction," American Writing Today, I, pp. 1-9.
"Letter from Berlin," Bennington Review, 14 (Winter 1982), pp. 31-40.
"Notes on Invocations," Ear, VII/2 (Feb.-March 1982), p. 24. [Revised as "Re: Invocations," Before the Rapture, 4 (1984), pp. 42-44.]
"Relationships [in German translation]," KULTuhr Zwo (1982), pp. 40-42.
"The Funding of the Arts: The Politics of Who Gets What--and Why," Book Forum, VI/3 (1982), pp. 93-105.
"The Literature of SoHo: An Introduction," Shantih, IV/3-4 (Winter-Spring 1982), pp. 2-4.
"Through the Wall to East Berlin," New York Times, Section X (5 Sept. 1982), p. 9.
REVIEWS:
Partisan Review: Samuel Beckett's Company and William S. Burroughs' Cities of the Red Night (1/1982).
POEMS:
"Delight," "Symbol," "Abscissa," "Definite," "Control," with "Notes on Turfs, etc.," The Hampden-Sydney Poetry Review (Fall 1982), pp. 33-39.
"Gold, etc.," Abraxas, 25/26 (1982), p. 50.
"Grounds," "Memory," "Art," "Painting," "Innovation," "Mankind," Lips, 4 (1982), pp. 28-33.
"Kingdom," "Bigamist," "Cement," "Collection," "Muffle," Muse-Pie, 2 (1982), pp. 38-42.
"Liberty, etc.," Poets On: Distances, VI/2 (Summer 1982), p. 16.
"Sixth Street--Second-Third Avenue," Mr. Cogito, V/5 (1982)., 2 pp.
"Turfs," "Poem," "Language," "City," "Points," "Lawns," Lips, 3 (1982), 6 pp.
"Turfs," "Sun," "Night," "Frolic," Pinchpenny, III/2 (April-May 1982), 4 pp.
FICTIONS:
"Epiphanies," Maelstrom Review, 21/22 (1982), p. 61.
"Epiphanies," Moosehead Review, 6 (1982), pp. 13-21.
"Epiphanies [video version]," Shantih, IV/3-4 (Winter-Spring 1982),
pp. 32-
33.
"First Love?" in Larry Walczak, ed., Post-Romance--Artists' Valentines (Lower Manhattan Cultural Council, 1982), 1 p.
"I Walked...," Poetry Now, VI/6 (# 36) (Oct. 1982), p. 11.
"Openings & Closings [a different selection]," Oboe, 5 (1982), pp. 140-44.
"Three Chapters from 'Plus/Minus,'" Konglomerati, VI/2 (1982), pp. 12-14.
EXPERIMENTAL PROSE:
"Addract & Subtrition," Shantih, IV/3-4 (Winter-Spring 1982), p. 59.
VISUAL ART:
"Getting Laid in Manhattan," Delos, XXVIII/4 (April 1982), pp. 70-71.
PHOTOGRAPHY:
"Recall [a complete sequence]," Shantih, IV/3-4 (Winter-Spring
1982, pp. 67-
72.
EXHIBITIONS:
"Visuelle/Konkrete Poesie," Galerie Gruppe Grun, Bremen, Germany (August-Sept 1982).
1983
BOOKS:
Epiphanies [in German]. Berlin: Literarisches Colloquium--Berliner Kunstlerprogramm des DAAD. 48 pp.
REPRINTS IN BOOKS:
"Disintegration," in X.J. Kennedy, ed., Literature, third edition (Boston: Little, Brown), p. 598.
Excerpts from 1966 conversation with John Cage, translated into French by Monique Fong, in John Cage, Journal (Paris: Maurice Nadeau/Papyrus), pp. 18-20, 60-65.
"Football Forms," in Brian Kellow & John Krisak, eds., Poetry & Language (Toronto: McGraw-Hill Ryerson), pp. 184-187.
"Getting Laid in Manhattan," in Guy Blues, W.A.A. Mail eARTh Project (Turnhout, Belgium), 1 p.
"Glenn Gould: Bach in the Electronic Age," in John McGreevy, ed., Glenn Gould Variations (Toronto: Doubleday), pp. 125-142.
"Increments," "Reincarnations [2]," "1024," Visual & Concrete Poetry (Gulfport, FL: Konglomerati Foundation), 4 pp.
"John Martin," in Richard Peabody, ed., Mavericks (Washington, DC: Paycock), pp. 65-71.
TELEVISION FILMS:
Epiphanies (with a German soundtrack produced by the author), "Projektionen," Sender Freies Berlin--North German Television Network (8 July 1983).
RECORDS:
Invocations (New York: Folkways), 60' [reissued on audiocassette, 37902, Smithsonian/Folkways, 1991]
"Dialogues," "Excelsior," on Voooxing Poooetre (Bondeno, Italy: Biblioteca Com. Le Arci), 2'
AUDIOTAPES BROADCAST:
The Eight Nights of Hanukah, 5'40" (Toronto: Canadian Broadcasting, December, 1983). [Rebroadcast, Köln: Westdeutscher Rundfunk, 24 December 1984.]
RADIO FEATURES:
Radio-Comedy, 40' (Koln, BRD: Westdeutscher Rundfunk), as author. [Rebroadcast, Stockholm: Sveriges Radio, Jan. 1984.]
ESSAYS:
"A New Yorker's Berlin," DAAD Letter, 4 (Dezember 1983), pp. 4-5. [Expanded, Exquisite Corpse, III/11-12 (Nov.-Dec. 1985), pp. 20-21; expanded further, Book Forum, VII/3 (1985), pp. 15-19. In German translation, revised & abridged, "Ansichten eines unheilbaren New Yorkers," Zitty, 21 (10-23 October 1985), pp. 36-39. In definitive English, Gerhard Kirchhoff, ed., Views of Berlin (Birkhäuser, 1989), pp. 179-89.]
"On Epiphanies," Bambu, 6 (April 1983), 1 p.
"Richard Kostelanetz on Himself, His Work and Receptiveness to the Avant-Garde," Woodrose, 6 (Fall-Winter 1983), pp. 6-12.
"The Queen & King of Grants," Exquisite Corpse, I/2 (Feb.-March 1983), pp. 10-12; I/4 (April 1983), pp. 9-10.
"Time Is Inexorable," Posthype, II/5 (1983), 1 p.
REVIEWS:
The American Book Review: Books by Artists, edited by Tim Guest, V/4 (May-June 1983). [Reprinted, Leonardo, XVI/4 (1983).]
POEMS:
"Beguile," "Elongate" (two circular poems), Lips, 6 (1983), pp. 30-31.
"Book Art Dummy," Lotta Poetica, II/14 (Sept. 1983), p. 57.
Excerpt from "Stringfour," Northwest Review, XX/2-3 (1983), p. 54.
"Fame," "Foreplay," "Symbol," Lips, 5 (1983), pp. 14-16.
"Freak," "Gibberish," The Pawn Review, VII/1 (1983), pp. 40, 75.
"Stringfour," "Stringfive," Fetiche Journal, 4/5 (1983), 2 pp.
FICTIONS:
"Epiphanies," Blue Soap, I/2 (Summer 1983), 1 p.
"Epiphanies," Northern Pleasure, 3 (1983), pp. 1, 40.
"Epiphanies," Vol. No. 2 (Summer 1983), 1 p.
"Epiphanies," WC4 Box '83 (1983), 4 pp.
"Single-Sent