Richard Kostelanetz
- › Preambles
- › All Along the Edge
- › Choice Bits
- › Las Vegas Performance
- › Book of Kostis
- › Contemporary American Literacy
- › Modern Polyartistry
- › End of Intelligent Writing, reprint
- › More On Innovative Music(ian)s
- » Autobiogaphies at 50 & 60
- › Book-Art & Alternative Publishing
- › A Literary Life in America
- › Animated Music
- › Artists in America
- › Arts & Artists in America
- › Master Minds, rev. ed.
- › The Maturity of American Thought
- › Great American Comedians
- › Continuing Tradition of the New
- › Charles Ives and the American Imagination
- › Special Sounds: The Art of Radio in North America
- › Great Jewish Cemetery of Berlin
- › Sports & Sportsmen
- › Elizabeth Streb
- › More Crimes of Culture
- › The Fall and Rise of the Rockaways
- › Home & Away: Tavel Essays
- › American Composers in Their Own Words
- › The Art of Literary Demolition
- › Possibilities of Longer Poetry
- › Alternative American Autobiographies
- › The American Tradition in Poetry
- › John Cage's Poetry
- › Foster Damon's Uncollected Writings
- › Libertarian Tradition: American Anarchist Thought
- › E.E. Cummings ReConSidered
- › Conceptual Dance: Choreographic Comedies
- › An Emma Goldman Reader
- › American Composers as Writers
- › AnOther Ogden Nash
- › Classic Essays on Rock
- › New American Radio Plays
- › Second Anthology of Merce Criticism
Proposal for a structurally alternative Autobiographies at Fifty and Autobiographies at 60
Like its conceptually original predecessor, Autobiographies
(Mudborn, 1981), these new books are not a chronological narrative, like most
autobiographies, but a pastiche of autobiographical materials, on the assumption
(dear to me) that an audobiographical gathering contains more truth than any
attempt to force a conventional exposition. Nothing from the previous volume
is included, though I hope to draw upon the German Autobiographien New
York Berlin (Merve, 1985), which contained some new material. Imaginatively
designed first by Peter Buchanan-Smith and then by Aryeh Cohen-Wade as a 192-page
dummy, 8 1/2” high, 11” wide, Autobiographies at Fifty contains "Person
of Letters in the Contemporary World," from Contemporary Authors:
Autobiography Series, Vol. VIII (1989); "Keeping Afloat in New York:
A Memoir" from Menu (1985) and, revised, Home Planet News (1989);
“My House Wordship,” and two extended interviews, each section imaginatively
designed. As before, one recurring theme of these essays is surviving as an
independent writer. As the principal changes in my life in this decade resulted
from living and working in Europe, several chapters will draw upon essays
reflecting this subject "A New Yorker's Berlin," from Exquisite
Corpse (1985) and Views of Berlin (Birkhauser, 1989); my contribution
to "Writing and Politics" in Fiction International (1984).
It also incorporates new examples of self-revelatory documents similar to
those included in the predecessor, including "1986," "Alternative
Complements," “Career Contradictions,” and "Dedications." Autobiographies
at Sixty, similar in structure, reprints from the 1990s. Any publisher
interested in considering the camera-ready dummies should contact me. Thank
you.