Proposal for a book gathering RK’s essays on The Continuing Tradition of the New

“The Art of Total No: The New American Theater” Contact (September 1963).
“Notes on the New Arts in America,” The New American Arts (Horizon Press, 1965).
“The Glenn Gould Variations,” Esquire (November 1967).
“The Two Extremes of Avant-Garde Music,” The NY Times Magazine (Jan. 15, 1967).
“An End to Art?” New York Magazine (April 21,1969).
“Inferential Art,” Columbia University Forum (Summer 1969).
“Recent Film Reconsidered,” Shenandoah (Summer 1970).
“Artistic Environments in the Sixties,” South Dakota Review (Winter 1970-71).
“Twenty-Five Hypotheses on Fiction,” Panache (1971).
“New Fiction in America,” Denver Quarterly (Autumn 1973).
“The Theater of Mixed Means,” Contemporary Dramatists (1973).
“The New Poetries in North America,” Open Letter (Winter 1974).
“Gertrude Stein: The New Literature,” Hollins Critic (June 1975).
“Profile of Merce Cunningham,” Michigan Quarterly Review (Fall 1975).
“Contemporary American Esthetics,” Sun & Moon (Fall 1977).
“Text-Sound Art,” Performing Arts Journal (Fall 1977-Winter 1978).
“Robert Wilson: Comprehensive Profile,” Texas Arts Journal (1978).
“A Mind That Cannot Stop Exploding [Kenneth Burke],” NY Times Book Review (1981).
“The Literature of SoHo: An Introduction,” Shantih (1982).
“Avant-Garde Poetry Now,” American Book Review (March-April 1986).
“Moholy-Nagy: Protoholographer,” The Structurist (1987/88).
“Notes on Milton Babbitt as a Text-Sound Artist,” Perspectives of New Music (1987).
“The Plinkety-Plunk Art of George Rhoads,” Smithsonian (October 1988).
“John Cage’s First Opera,” New York Times (July 10, 1988).
“German Radio Goes American,” The World & I (October 1989).
“Avant-Garde,” Avant-Garde (1989).
“Technological Art Reconsidered,” Journal of Art (October 1990).

Any publisher having further questions or wishing to consider samples should contact the author. Thank you.