Richard Kostelanetz
- › Preambles
- › All Along the Edge
- › Choice Bits
- › Las Vegas Performance
- › Book of Kostis
- › Contemporary American Literacy
- › Modern Polyartistry
- › End of Intelligent Writing, reprint
- › More On Innovative Music(ian)s
- › Autobiogaphies at 50 & 60
- › Book-Art & Alternative Publishing
- › A Literary Life in America
- › Animated Music
- › Artists in America
- › Arts & Artists in America
- › Master Minds, rev. ed.
- › The Maturity of American Thought
- › Great American Comedians
- › Continuing Tradition of the New
- › Charles Ives and the American Imagination
- › Special Sounds: The Art of Radio in North America
- › Great Jewish Cemetery of Berlin
- › Sports & Sportsmen
- › Elizabeth Streb
- › More Crimes of Culture
- › The Fall and Rise of the Rockaways
- › Home & Away: Travel Essays
- › American Composers in Their Own Words
- › The Art of Literary Demolition
- › Possibilities of Longer Poetry
- › Alternative American Autobiographies
- › The American Tradition in Poetry
- › John Cage's Poetry
- › Foster Damon's Uncollected Writings
- › Libertarian Tradition: American Anarchist Thought
- › E.E. Cummings ReConSidered
- › Conceptual Dance: Choreographic Comedies
- › An Emma Goldman Reader
- › American Composers as Writers
- › AnOther Ogden Nash
- › Classic Essays on Rock
- › New American Radio Plays
- › Second Anthology of Merce Criticism
A PROPOSAL for an exhibition and/or a package of Richard Kostelanetz’s AVANT-GARDE EROTICA that would ideally contain these texts:
Excelsior, a seduction narrative with paragraphs no more than one word long;
One-Night Stood, a book-length narrative with paragraphs no more than two words long, printed on both newsprint and as a spine-bound book;
Erotic Minimal Fictions, each only a few words long, in a tiny box;
Contagion, a narrative printed on fifty feet of acetate;
More or Less, an incremental fiction printed on 127 cards, 8 1/2” x 11”;
Portraits from Memory, a perfect-bound book of hand-written visual representations, 7” x 10”;
More Portraits from Memory, a single text continuously printed on approximately 240 pages of perforated red paper;
Yet More Portraits from Memory, handwritten gold-surfaced cards 8 1/2” X 11”;
Relationships, which is micrography, 5” x 8”;
Seductions, in which sixteen narratives in sixteen different typefaces are interwoven one sentence at a time (which can also be performed by spectators selected from an audience);
Getting Laid in Manhattan, two abstract drawings;
Come Here, a chapbook in which those two words are erotically (re)designed through pages that constitute a narrative;
Yes-No, single-page narratives in which those two words are variously arrayed;
Other materials include a CD with the audio Excelsior and Ululation and a DVD with electro-acoustic realizations of Seductions and Relationships accompanied by continuous abstract kinetic imagery.